International Photography of the Year (honorable mention in Nature:Landscape

“This grand show is eternal. It is always sunrise somewhere; the dew is never dried all at once; a shower is forever falling; vapor is ever rising. Eternal sunrise, eternal dawn and gloaming, on sea and continents and islands, each in its turn, as the round earth rolls.” John Muir

An amazing week in Yosemite led to this lead image (one of six) to be honored by IPOTY.

Rich Smukler specializes in Landscape and Fine-Art Photography from his studio in South Florida. His works have been featured in numerous museums, galleries and private collections internationally. You can acquire his works at http://www.richsmuklerphoto.com. (Kick back and stay awhile).

As long as I live, I’ll hear waterfalls and birds and winds sing

“As long as I live, I’ll hear waterfalls and birds and winds sing. I’ll interpret the rocks, learn the language of flood, storm, and the avalanche. I’ll acquaint myself with the glaciers and wild gardens, and get as near the heart of the world as I can”.”
― John Muir

The Sierras can either stop your heart or remind you that it is there. On the way to Bishop, California I was blessed with this scene.

Rich Smukler specializes in Landscape and Fine-Art Photography from his studio in South Florida. His works have been featured in numerous museums, galleries and private collections internationally. You can see more of his works at http://www.richsmuklerphoto.com. (Kick back and stay awhile).

MORNING TOUCH to Exhibit at The Von Liebig Art Center in Naples, Florida

Naples Art Association’s 52nd Founders Juried Awards Exhibition

Preview Reception: March 2, 2018 from 5:30 to 7:30 p.m. (reception and awards presentation)

Date: March 2 – April 16, 2016
Location: The von Liebig Art Center

The fine art exhibition will be installed on the ground floor and second level of The von Liebig Art Center in six galleries and will be on view from February 24 through March 25, 2018 . The von Liebig Art Center is located in Naples, Florida at 585 Park Street in the heart of the 5th Avenue South shopping, dining and arts district. The Naples Art Association’s Founders Exhibitions are a long-held tradition honoring the founding members of the Naples Art Association. The exhibition will feature recent work in all media by Naples Art Association members.

“Morning Touch” is part of a photographic essay of Yosemite National Park which can be seen in full on Rich Smukler’s website at www.richsmuklerphoto.com. Rich specializes in Landscape and Fine-Art Photography from his studio in South Florida. His works have been featured in numerous museums, galleries and private collections internationally. You can see more of his works at http://www.richsmuklerphoto.com. (Kick back and stay awhile).

Black & White Spider Awards 2017: Rich Smukler honored

FOR IMMEDIATE RELEASE:

LOS ANGELES (11/19/17) – photographer Rich Smukler of the United States was presented with the 12th Annual Black and White Spider Awards Nominee title in the category of Nature for three of his images at a prestigious Nomination & Winners PhotoShow streamed Saturday, October 14, 2017.

Meadow Morn – Yosemite National Park – United States National Park Photography – Black and White Landscape Photography

The live online gala was attended by over 11,000 photography fans around the globe who logged on to watch the climax of the industry’s most important event for black and white photography. 12th Annual Jury members included captains of the industry from The Armory Show, New York; Christie’s, London; McCann, Singapore; GQ, New York; Hot Docs Film Festival, Toronto; Y&R, Malaysia; Sharon Calahan, Pixar Animation Studios, Emeryville; Bloomsbury Auctions, London; and Donald Schneider Studios, Berlin who honored Spider Fellows with coveted title awards in 31 categories.

BLACK AND WHITE SPIDER AWARDS is the leading international award honoring excellence in black and white photography. This celebrated event shines a spotlight on the best professional and amateur photographers worldwide and honors the finest images with the highest achievements in black and white photography. http://www.thespiderawards.com.

Bejeweled

 

Rich Smukler specializes in Landscape and Fine-Art Photography from his studio in South Florida. His works have been featured in numerous museums, galleries and private collections internationally. You can see more of his works at http://www.richsmuklerphoto.com. (Kick back and stay awhile).

 

Merced Morning – Yosemite

Merced Morning – Yosemite

The Merced River, in the central part of California, is a 145-mile  tributary of the San Joaquin River flowing from the Sierra Nevada. It is most well known for its swift and steep course through the southern part of Yosemite National Park and the world-famous Yosemite Valley. The river’s character changes dramatically once it reaches the foothills and the lowlands, becoming a slow-moving waterway meandering through irrigated fields.

Rich Smukler specializes in Landscape and Fine-Art Photography from his studio in South Florida. His works have been featured in numerous museums, galleries and private collections internationally. You can see more of his works at http://www.richsmuklerphoto.com. (Kick back and stay awhile).

Oceanside Museum of Art features works of Rich Smukler

Swampscape1

Swampscape #2

Two infrared images from Rich Smukler will be part of the upcoming Art Alliance at the Museum show which will take place between March 4 – August 27, 2017 at

TheOceanside Museum of Art
704 Pier View Way
Oceanside, CA 92054

An Artists’ reception is scheduled for March 25, 2017, 5:00 – 8:00PM. If you have questions, please contact Katie Sanderson, OMA Exhibition Coordinator and Registrar, at (760) 435-3731, or email katie@oma-online.org.

Smukler’s images are part of a larger study recently published in The LandEscape Art Review (Anniversary Edition December 2016).

Rich Smukler specializes in Landscape and Fine-Art Photography from his studio in South Florida. His works have been featured in numerous museums, galleries and private collections internationally. You can see more of his works at http://www.richsmuklerphoto.com. (Kick back and stay awhile).

San Diego Museum of Art Show

Sierra was taken in the Alabama Hills just outside Lone Pine, California.

Sierra will be presented at the upcoming San Diego Museum of Art‘s Documents and Pictures Show with exhibition dates running from February 1 thru February 28 at The Poway Center for the Performing Arts located at 15498 Espola Road, Poway, CA 92064. An Artists’ Reception will be held on February 4, 2-4 PM. The show is sponsored by The San Diego Museum of Art’s Artist Guild and is open to public. You can call (858) 668-4693 or email sdmaag@gmail.com with any questions about the show.

Rich Smukler specializes in Landscape and Fine-Art Photography from his studio in South Florida. His works have been featured in numerous museums, galleries and private collections internationally. You can see more of his works at http://www.richsmuklerphoto.com. (Kick back and stay awhile).

Meadow Morn – Yosemite

Meadow Morn – Yosemite National Park – United States National Park Photography – Black and White Landscape Photography

As the sun  starts to peak over the mountains of Yosemite and into the meadows below, the magic show begins! The glow begins to spread and summons a new day.

Rich Smukler specializes in Landscape and Fine-Art Photography from his studio in South Florida. His works have been featured in numerous museums, galleries and private collections internationally. You can see more of his works at http://www.richsmuklerphoto.com. (Kick back and stay awhile).

Meadow Mist

Meadow Mist – Yosemite National Park

The cold rain of Yosemite is a blessing to photographers. As the  early sun rises and warms the dampened meadows, an eerie, ghostlike mist and fog permeate the area.

Rich Smukler specializes in Landscape and Fine-Art Photography from his studio in South Florida. His works have been featured in numerous museums, galleries and private collections internationally. You can see more of his works at http://www.richsmuklerphoto.com. (Kick back and stay awhile).

Fire in the Sky – El Capitan

El Capitan – Yosemite National Park

El Capitan is located in Yosemite National Park. This granite monolith stands 3000 feet tall from base to summit. It imposes itself upon you and leaves an unforgettable mind-print.

Rich Smukler specializes in Landscape and Fine-Art Photography from his studio in South Florida. His works have been featured in numerous museums, galleries and private collections internationally. You can see more of his works at http://www.richsmuklerphoto.com. (Kick back and stay awhile).

First Glow at Yosemite

First Glow at Yosemite National Park

If you haven’t updated your bucket list lately, Yosemite National Park is a must. I recently spent a week at this magnificent location and remain in awe. This Black and White image was taken from one of Yosemite’s meadows as dawn began to peak on the monolith above.

Rich Smukler specializes in Landscape and Fine-Art Photography from his studio in South Florida. His works have been featured in numerous museums, galleries and private collections internationally. You can see more of his works at http://www.richsmuklerphoto.com. (Kick back and stay awhile).

Rich Smukler Honored by 11th Annual Black and White Spider Awards

Retread

FOR IMMEDIATE RELEASE:

11TH ANNUAL BLACK AND WHITE SPIDER AWARDS HONORS RICH SMUKLER  FROM THE UNITED STATES IN THE STILL LIFE CATEGORY

LOS ANGELES 11/5/2016  Photographer Rich Smukler of the United States was presented with the 11th Annual Black and White Spider Awards Nominee title in the category of Still Life at a prestigious Nomination & Winners PhotoShow webcast Saturday, November 5, 2016.

The live online gala was attended by over 10,500 photography fans around the globe who logged on to watch the climax of the industry’s most important event for black and white photography.

11th Annual Jury members included captains of the industry from National Geographic, Washington DC; The Armory Show, New York; TBWA, Paris; Victoria Film Festival, Canada; Aeroplastics Contemporary, Brussels; Studio Hansa, London; Fratelli Alinari, Florence; Australian Centre for Photography; Young & Rubicam, Lima; and Anthem Worldwide/Marque Branding, Sydney who honored Spider Fellows with 627 coveted title awards and 951 nominees in 31 categories.

“It is an incredible achievement to be selected among the best from the 7,556 entries we received this year,” said Basil O’Brien, the awards Creative Director. “Smukler’s “Retread,” an exceptional image entered in the Still Life category, represents black and white photography at its finest, and we’re pleased to present him with the title of Nominee.” Jury member Paola Anselmi, interdisciplinary curator and arts writer in Australia added, “As always it was a real treat to be part of the program. Congratulations to all involved and to all the remarkable photographers who gift us new insights into the world and ourselves.” “A truly amazing set of entries, so many deserving winners,” added Marcel Wijnen, Creative Director at Anthem Worldwide.

BLACK AND WHITE SPIDER AWARDS is the leading international award honoring excellence in black and white photography. This celebrated event shines a spotlight on the best professional and amateur photographers worldwide and honors the finest images with the highest achievements in black and white photography. http://www.thespiderawards.com

Rich Smukler specializes in Landscape and Fine-Art Photography from his studio in South Florida. His works have been featured in numerous museums, galleries and private collections internationally. You can see more of his works at http://www.richsmuklerphoto.com. (Kick back and stay awhile).

Night Photography Tip

Alabama Hills, California

Fenix HL21 Headlamp

Low light Photography creates some extra challenges. One tip I learned the hard way is to have adequate lighting to set up and adjust your equipment. It sounds so basic, but if you shoot long enough, you are bound to make every mistake in the book. As I have mentioned in the past, preparation prior to going out into the field is a must. But recognizing that there is always more to do once you get out there is the essence of this recommendation. It seems so simple, but a standard flashlight will not free both hands up  (unless you place the flashlight in your mouth)!  Aha! Consider a headlamp!!!! They are relatively inexpensive (around $30.00), are light weight, take up little space, and are extremely effective. The light follows your eyes! I have had luck with a company called Fenix, but I am certain there are others out there.

The dawn shoot above was at The Alabama Hills, just outside Lonepine, California. It is near the eastern slope of the Sierra Nevada in the Owens Valley. I was facing east (slightly to the south) which set up this silhouette with the morning sun’s rays coming from behind the image and slightly to the right.

Rich Smukler specializes in Landscape and Fine-Art Photography from his studio in South Florida. His works have been featured in numerous museums, galleries and private collections internationally. You can see more of his works at http://www.richsmuklerphoto.com. (Kick back and stay awhile).

Your Tripod – Wake up and Smell the Roses!

Zabriskie Point at Dawn – Death Valley, California

I know. The tripod is a burden, takes extra time, just something else to do. Wake up and smell the roses! If you are serious about your photography, your tripod is a major asset and critical if you want to be the best that you can be. Of course there are times when it isn’t necessary, as in street photography. However, if you are shooting close up shots, the slightest shake can cause distortion. If you are in the field shooting landscapes, using a telephoto lens and waiting for the light, it is a must! Again, the camera becomes heavy with your long lens, and even with image stabilization, you will be unsuccessful. The above image was a dawn shot at Death Valley’s Zabriskie Point. When I first arrived, it was dark and cold. I set my camera on the tripod and waited for the right moment. I had time to review my settings and sat back for that golden moment.

Additional tip: Learn how to use your tripod and practice set-up before going out into the field. Time can be fleeting and you don’t need to be fussing around while it passes.

Rich Smukler specializes in Landscape and Fine-Art Photography from his studio in South Florida. His works have been featured in numerous museums, galleries and private collections internationally. You can see more of his works at http://www.richsmuklerphoto.com. (Kick back and stay awhile).

Crowley Point, Death Valley

The majestic scenic overlook at Crowley Point is nothing less than breathtaking. It is located at the west entrance to Death Valley National Park and provides a wide variety of panoramic photographic landscape possibilities.

Crowley Point, Death Valley National Park

Rich Smukler specializes in Landscape and Fine-Art Photography from his studio in South Florida. His works have been featured in numerous museums, galleries and private collections internationally. You can see more of his works at http://www.richsmuklerphoto.com. (Kick back and stay awhile).

Lost in the Sierras

Lost in the Sierras

I stumbled upon this quirky image in the prairies outside Bishop, California. The tires serve as a marker to a farm hidden back in the brush. Mountains from The Inyo National Forest serve as a backdrop and curiously mirror the contours of the tires.

For those who are unaware, the Inyo National Forest covers part of the eastern Sierra Nevada of California and the White Mountains of California and Nevada. The forest covers 1,903,381 acres and includes nine designated  wilderness areas which protect over 800,000 acres.

 Rich Smukler specializes in Landscape and Fine-Art Photography from his studio in South Florida. His works have been featured in numerous museums, galleries and private collections internationally. You can see more of his works at http://www.richsmuklerphoto.com. (Kick back and stay awhile).

ANCIENT BRISTLECONE PINE FOREST

Home of the oldest living things on earth, The Ancient Bristlecone Pine Forest is located about an hour east of Bishop, California in The White Mountains (elevations between 9,000 to 11,000 feet) and accessible via The Schulman Grove Visitor Center. These magnificent trees can range between well over 2,000 to 4,773 years old! Think about it! This was taken in October and the temperature was below freezing. If you plan to go, dress accordingly.

Rich Smukler specializes in Landscape and Fine-Art Photography from his studio in South Florida. His works have been featured in numerous museums, galleries and private collections internationally. You can see more of his works at http://www.richsmuklerphoto.com. (Kick back and stay awhile).

 

 

Our Elephants are Disappearing

A recent article  in The Washington Post by Darryl Fears is titled “Forest elephants are vanishing, and they might never recover from poaching.” It points out the startling decline in birthrate as well as the negative impact of poaching. I found it both saddening and alarming. This particular image was taken at The San Diego Zoo. Though I have been to East Africa (Tanzania and Kenya), this particular photo sticks with me.

Our Elephants are Dying

 Is there something we can do as individuals to stem the tide and protect these magnificent animals? I encourage your thoughts.

Rich Smukler specializes in Landscape and Fine-Art Photography from his studio in South Florida. His works have been featured in numerous museums, galleries and private collections internationally. You can see more of his works at http://www.richsmuklerphoto.com. (Kick back and stay awhile).

From Skagway to Davidson Glacier

So here you are, enjoying your early morning coffee in Skagway, Alaska and looking for something amazing to do. Look no further. Consider the Glacier Point Wilderness Safari. I’d like to tell you that it’s right down the road and you can’t miss it. Not quite true, but certainly worth the effort. You start off in a custom enclosed power boat for a 45-minute ride through Lynn Canal which happens to be North America’s deepest and longest fjord – with a chance to see all types of sea life, waterfalls and mountain views. The trip takes about 45 minutes. Upon arrival at Glacier Point beach you board a bus for a short ride to a base camp where you will gear up with boots to repel the glacier silt, life jackets and wet weather gear. A hike through a magnificent rain forest leads to 31-foot voyager canoes that will take to you Davidson Glacier recounted by John Muir in his travels around Glacier Bay in 1879. Just amazing! You will walk though the glacier silt and rock formations as you get closer to this natural wonder.

Rich Smukler specializes in Landscape and Fine-Art Photography from his studio in South Florida. His works have been featured in numerous museums, galleries and private collections internationally. You can see more of his works at http://www.richsmuklerphoto.com. (Kick back and stay awhile).

Lake Tenaka – Yosemite National Park

Taken in Yosemite National Park, California

Rich Smukler specializes in Landscape and Fine-Art Photography from his studio in South Florida. His works have been featured in numerous museums, galleries and private collections internationally. You can see more of his works at http://www.richsmuklerphoto.com. (Kick back and stay awhile).

 

The Eastern Sierras

A week in the Eastern Sierras has given me a greater resolve to preserve and promote the natural beauty our world has to offer. This magnificent moment was captured returning from Lake Sabrina in The Inyo National Park. Magnificent!

Rich Smukler currently resides in Boca Raton, Florida. His works have been featured in numerous museums, galleries and private collections internationally. You can see more of his works at http://www.richsmuklerphoto.com. (Kick back and stay awhile).

Rich Smukler Exhibits at the San Diego Art Institute

Rich Smukler will present two of his newest works at The San Diego Art Institute’s 53rd International show. This is Smukler’s second exhibition at the site having first presented there in 2009 at SDAI’s 50th. This years competition was juried by David A. Ross, former director of The San Francisco Museum of Modern Art, The Whitney Museum of American Art and The Boston Institute of Contemporary Art, just to name a few of his credentials. The first of the two works featured is “Passages”. It is a stunning Black and White captured from inside The Musee d’Orsay in Paris, overlooking The Seine. It contemplates the juxtaposition of time and travel taken from a clever vantage point. The second piece, “Tea Time at Morikami” is a serene and painterly landscape captured at the magnificent Morikami Gardens located in Delray Beach, Florida. The richness of texture was in part manifested through the use of infrared technology.

If you plan on attending, the opening gala reception is Saturday, April 18, 2015, 6pm – 8pm. Music will be provided by The Matson 2. Cocktail attire is required. Event tickets are $10 for members and $20 for non-members. Tickets can be purchased by calling 619-236-0011 and asking for Kerstin Robers. The show will close May 24, 2015. SDAI is located at 1439 El Prado in Balboa Park, San Diego, California.

Rich Smukler currently resides in Boca Raton, Florida. His works have been featured in numerous museums, galleries and private collections internationally. You can see more of his works at http://www.richsmuklerphoto.com. (Kick back and stay awhile).

A few thoughts for the New Year

I’d like to thank all of you who have been following my Blog over the years, amazingly since 2011!  It has been a labor of love and heart-warming to know that some of my meanderings are shared with you. I would encourage you to please exchange your thoughts and comments. I love expressing my experiences about photography: the technical aspects, the practical solutions to common problems, the artistry of my endeavors, etc. And I enjoy hearing what thoughts or concerns any of you might have.

I know that some of you are serious photographers, designers, fine art professionals, lawyers, realtors, and on and on. Photography is an endless journey which explores one’s personal vision pitted against an ever changing and expanding technology. To know your camera, your computer, your printer, and all that goes with this technology only serves to challenge the way you see and feel about life.

May you enjoy a healthy and amazing 2015. I hope to hear from you!

Rich Smukler currently resides in Boca Raton, Florida. His works have been featured in numerous museums, galleries and private collections internationally. You can see more of his works at http://www.richsmuklerphoto.com. (Kick back and stay awhile)

If you’ll be in Alexandria, Louisiana, see Rich Smukler’s works at The Alexandria Museum of Art

Alexandria Museum of Art’s 27th Annual September Competition Exhibition

Date: September 5 – November 22, 2014
Location: The Alexandria Museum of Art, 933 Second Street, Alexandria, LA 71301

Rich Smukler, from Boca Raton, Florida,  will exhibit his stunning black and white piece. “Tea Time”  which was captured in Rhyolite, Nevada, about 120 miles (190 km) northwest of Las Vegas near the eastern edge of Death Valley. The town started in 1905 is response to the discovery of gold in the nearby hills. It is reported that the population rose to near 5,000. Unfortunately, by 1911 the mine closed and the town soon died out. Smukler’s works have been featured in numerous museums, galleries and private collections internationally. This piece was recently exhibited at The von Liebig Art Center in Naples, Florida.

Any questions concerning the exhibition can be directed to Megan Valentine, museum curator and registrar. phone: 318-443-3458 or email at megan@the museum.org

 

Connecticut Academy of Fine Arts honors Rich Smukler

As recently announced, for the third consecutive year Rich Smukler will be exhibiting at The Connecticut Academy of Fine Arts’ annual juried exhibition. The opening reception and award presentations will be Thursday,  June 26th from 6PM to 8PM.  Artists whose works are exhibited for three shows are bestowed with the honor of elected member.

“Given the quality of the art in the CAFA exhibitions, I am extremely honored.”

 

 

This slideshow requires JavaScript.

The Farmington Museum of Art Introduces Rich Smukler’s work “Cocoon”

 The Farmington Museum at Gateway Park (Farmington,  New Mexico) will present its annual National Juried Exhibition May 10, 2014 with an opening reception and presentation of awards from 7:00 pm to 9:00 pm, Saturday evening May 17th. Prior to the reception, at 6:00 pm, Juror James Trigg will present a lecture. Mr. Trigg is a nationally acclaimed award-winning impressionist fine artist specializing in the magnificent vistas of the American Southwest.

Rich Smukler, from Boca Raton, Florida,  will exhibit Cocoon. This elegant abstract expressionistic piece both challenges and calms the soul. His works have been featured in numerous museums, galleries and private collections internationally.

 

Farmington Museum – 3041 E. Main Strreet – Farmington NM 87402 – 505-599-1174 – http://www.farmingtonmuseum.org

See more of Rich Smukler’s work at http://www.richsmuklerphoto.com

The Marin Museum of Contemporary Art introduces Rich Smukler’s SWAMP’S EDGE

Swamp’s Edge will be introduced at MARINMOCA / The Marin Museum of Contemporary Art

as part of the 2013 Summer National Juried Exhibition located at 500 Palm Drive, Novato, California.

Show opens: Saturday, June 01, 11am-4pm

Opening Reception: Saturday, June 01, 5-7pm

Show closes: Sunday, July 14 (4pm)

This image was taken in Delray Beach, Florida.

Against the Traffic: Rhyolite, Nevada – The Ghost town

It’s been a long hard week in Death Valley and it is time to pack it in. I only introduced you to some of the many wonders that the area has to offer. It is really something that needs to be experienced personally and in your own way. On a great tip, I headed towards Rhyolite, Nevada on my way back to the airport in Las Vegas. I have an affection for architectural decay and this old town does not disappoint.

Located in the Bullfrog Hills in Nye County, Rhyolite is about 120 miles (190 km) northwest of Las Vegas near the eastern edge of Death Valley. The town started in 1905 is response to the discovery of gold in the nearby hills. It is reported that the population rose to near 5,000. Unfortunately, by 1911 the mine closed and the town soon died out.

With a few more shots in my pocket, it is time to head home. Thanks for joining me

Happy Shooting!

http://www.richsmuklerphoto.com

 

This slideshow requires JavaScript.

 

Against the Traffic: Death Valley – Badwater Basin

It’s 4:30am.  I am completely alone in Badwater Basin, the lowest place in the western hemisphere. It seems like the dark side of the moon. Still bleary eyed, I slowly, contemplatively set up my tripod. A steady and warm breeze waltzes across the salt flats. I have never been to nor experienced anything remotely like this place. I quietly await the dawn. I notice someone apparently crawling from a sleeping bag several hundred yards off into the basin. I now notice their tripod already set and ready. I muse, a kindred spirit.

This slideshow requires JavaScript.

In the parking area I noticed a painted stripe on the rock cliff indicating the sea level mark, 282 ft above me. Ironically, Mt. Whitney is the highest point in the contiguous 48 states, while Badwater is the lowest and the eighth-lowest spot in the world. Along with Salton Sea, south of Palm Springs (-227 feet), it makes the United States the only country to have two locations among the world’s lowest places. This gives you a rough idea how explosive this area was millions of years ago.

Walking out onto the salt flat you hear the crunch under your feet. Repeated freeze–thaw and evaporation cycles gradually push the thin salt crust into hexagonal honeycomb shapes. The accumulated salts of the surrounding basin make it undrinkable, thus giving it the name.

The sun starts to poke up. It goes fast and catches a sparkle from the zillions of salt crystals that surround you. My impression is that my camera’s sensor is able to receive and articulate this action better than the human eye. A friend of mine once referred to the area as “Badlight Basin”. I’m shooting with a Canon EOS 5D Mark II and select my 24-105mm lens.

Pay close attention to your exposure. As in shooting snowscapes, your camera can be fooled. There are several points of view as to how to handle this issue. I recommend Jim Zuckerman’s discussion in his book “Techniques of Natural Light Photography” if you are not comfortable with the subject.

If you go to Death Valley, DO NOT MISS THIS!!!

Happy Shooting!

http://www.richsmuklerphoto.com

Against the Traffic: Death Valley – Dante’s Peak and Zabriske Point

It’s 4:30 AM and a few hearty photographers are starting to set up their tripods and await the dawn. It is quiet, very quiet. It is windy and cold. I struggle to keep the tripod steady. I’m already dreaming of my first cup of hot coffee. I attach my headlamp to see the way. I’m fearful that my lens or camera has seized up. Without my gloves this would be a fool’s errand. I panic, return to my car and reset. I do not want to miss the sunrise. It comes and goes so fast. Maybe 30 minutes tops, then it is over. This can be said for both Dante’s View and Zabriske Point, though Dante’s Point was much colder. I shoot them on consecutive days, but will discuss them each in today’s Post. They are both magnificent and should not be missed.

This slideshow requires JavaScript.

Dante’s Peak, Death Valley is a viewpoint terrace at 1,669 m (5,475 feet) height, on the north side of Coffin Peak, along the crest of the Black Mountains, overlooking Death Valley. Dante’s View is about 25 km (15 miles) south of Furnace Creek in Death Valley National Park. This spectacular view is named from Dante Alighieri, who wrote the Divina Commedia (Divine Comedy), in which there are described the nine circles of Hell, the seven terraces of Purgatory and the nine spheres of Paradise. For those of you who might be Star Wars junkies, it is a filming location in Star Wars Episode IV: A New Hope.

Zabriskie Point is a part of Amargosa Range located in eastern Death Valley Valley and noted for its erosional landscape. It is composed of sediments from  which dried up 5 million years ago, long before Death Valley came into existence. This location was used to represent the surface of Mars in the film Robinson Crusoe on Mars.

The photographers line up on their selected vantage points and wait. An occasional test shot to see where the light is. Then it sneaks up slowly and BANG!!!! The cameras jump to life, like a bunch of fishermen waiting for a strike. And here it is. Have everything ready to go. No room for mistakes. The slowly awakening sun kisses the landscape, rises, and the majesty soon disappears, hidden for another day.

That’s it! Off to find some coffee and breakfast. I have a couple of afternoon locations in mind, so stick around.

Happy Shooting!

Rich Smukler

http://www.richsmuklerphoto.com

Against the Traffic: Stovepipe Wells and Mesquite Flat Dunes

For the rest of the week we will be bunking at The Hotel at Stovepipe Wells, Death Valley. This is not The Four Seasons Hotel, make no mistake! In fact, the movie “Mad Max” comes to mind. The rooms are clean, large and extremely basic.  Wifi is spotty at best. Telephones are non-existent in the rooms and there is essentially no cell-phone coverage (calls must be made from the spare number of phone booths on site). There is a restaurant and bar. I will be polite about the food in the restaurant. The burgers and beer at the bar are just fine, especially if you want to shoot a game of 8-ball. Across the road is a general store and gas station where you can stock up on water, snacks, food and fuel. If you are truly looking for top-notch accommodations, consider The Furnace Creek Inn and Ranch Resort around 26 miles down the road. You will pay substantially for this luxury, however.

A brief thought on the issue of no phone or computer service: It can make you a little nervous at first, especially if you are addicted to these electronic toys, as I am. But after you get over the fear that the world will somehow come to an end if you are not tuned in, the world gets more serene and beautiful. You can see better. Your photography will soar, if you allow it to do so.

Just down the road is Mesquite Flat Dunes. These dunes are the best-known and easiest to visit in the national park. They are located in central Death Valley and accessed from Highway 190 or from the unpaved Sand Dunes Road. Although the highest dune rises only about 100 feet (compared to 680 feet at Eureka), the dunes actually cover a vast area and provide quite a different subject matter. Many first time visitors to Death Valley are surprised to find that it not covered with a sea of sand. Less than one percent of the desert is covered with dunes. It just so happens that the first two locations of our tour of Death Valley are duned areas. The benefit of Mesquite Flat over Eureka is its proximity to your room back at Stovepipe Wells. It allows you to make return visits to shoot based on your decisions over lighting, cloud-layer, etc. The remote location of Eureka Dunes pretty much kills off this flexibility, unless you are willing to set up camp. The suggestions I made about dune-shooting at Eureka in my prior post applies similarly to Mesquite.

Happy Shooting

http://www.richsmuklerphoto.com

Against the Traffic: Eureka Dunes, Death Valley

It rises as the tallest dunes in California and perhaps North America.

The Eureka Dunes lie in the remote Eureka Valley, an enclosed basin at 3000 foot elevation located northwest of Death Valley. They rise nearly 700 feet and stretch 3 miles long and 1 mile wide. They are magnificent in their solitude and pristine beauty. There is nothing in this valley! There are no distant lights or towns, no gas stations or convenience stores. Civilization is pretty much left behind. You are on your own! Amazing!!!! The silence is palpable. Surrounding the dunes are the limestone walls of  The Last Chance Mountains rising another 4000 feet. Quite something to behold.

 You will be traveling on a gravel road in Eureka Valley (which connects to a road running from Big Pine to the Grapevine section of Death Valley). This is where it helps to have your high clearance vehicle. No off-roading is permitted anywhere in the park, but the going can be tough. It is probably a good idea to travel with someone who can offer a helping hand if need be.

 The parking area at the foot of the dunes is adjacent to a meager campsite with Spartan facilities. So, bring with you everything that you need for the day. And as a follow-up suggestion, when you get hiking into the dunes, bring everything that you need by way of your camera equipment, as the walking is tough and returning to your vehicle may not be the best physical or time-management choice under the circumstances.

This slideshow requires JavaScript.

 A couple of tips: Bring and drink plenty of water; apply sun-block and wear protective gear; wear good sturdy boots or shoes; please consider the eye cup that I recommended in my previous post PREPARING FOR DEATH VALLEY (the glare makes it extremely hard to see what you are doing, otherwise); and if you are considering the use of more than one lens, I strongly recommend you attach that extra lens to a second camera body as this is the last place you want to switch lenses out. You might remember that in my post  THE ROAD FROM SAN QUIRICO TO PIENZA  I discussed the hazards of this exercise due to the drifting air particles and such in Tuscany. At least under those circumstances, you could make your way back to your vehicle. You probably won’t have the same luxury once on the dunes.

Be patient and wait for the light. Tonight we head to Stovepipe Wells where we will bunk for the rest of the week.

 Happy Shooting!

http://www.richsmuklerphoto.com

Against the Traffic: Preparing for Death Valley

Getting ready for your trip into Death Valley is no simple matter. It requires careful thought and preparation.  Our first stop will be to Eureka Dunes, but we need to be on top of our game. There are plenty of good reasons. Death Valley is no simple jaunt to your neighbor’s garden party!

 

Death Valley is located in Eastern California and situated within the Mojave Desert. It is the lowest and driest area in North America. It holds the record for the highest reliably recorded air temperature on earth (134 °F (56.7 °C) at Furnace Creek on July 10, 1913). The previously-claimed world record air temperature, 136 °F (57.8 °C) was in Libya. Badwater Basin, which will be another of our stops, is the point of the lowest elevation in North America at 282 feet (86 m) below sea level. This point is only 84.6 miles (136.2 km) east-southeast of Mt. Whitney  (which was briefly mentioned in my previous post) and is the highest point in the contiguous United States with an elevation of 14,505 feet (4,421 m).

 

You may want to rent a high clearance vehicle. Be sure your rental car has a good spare tire. I know that when I first landed at the airport in Las Vegas and went to select my vehicle, I was so anxious to get on the road that I didn’t give as much thought to the process as I should have. Fortunately, my Jeep withstood the punishment meted out. The last 10 miles into Eureka Dunes are very rough; there is essentially no cell-phone service; no service stations for many many miles; you may drive for long stretches and never see another vehicle; you are pretty much on your own so give yourself the best chance to avoid chaos.

This slideshow requires JavaScript.

 

Camera Equipment you will need includes but is not limited to: a backup camera body (always a good idea, but a must if you intend to use a second lens),  your camera manual, spare batteries, extra flash cards, a tripod and a polarizing filter. You may want a headlamp (exceptionally handy for your early morning shoots). I was introduced to a rubber eyepiece cup (only around $10) which clips over your LED and makes viewing under glare conditions so much more manageable. It has become an indispensible part of my travel pack.

 

Field Equipment suggested includes sunglasses, sunscreen, water bottles (2 quarts minimum; you should drink about 1 gallon/day to avoid dehydration), any food or meds that you might need that day (I always pack several energy bars and fruit for snacks), and extra layers of clothing.  You will need a lightweight pack to hold your field gear. 

 

Clothing.  Typical temperatures will range from possibly below freezing (it can be as much as 25 degrees colder than the valley at 5500 feet in the early morning wind at Dante’s View, (another of our locations), to an average daily maximum of 72-80 F and an average daily minimum of 46-53 F in Death Valley in late February.  Dressing in layers will allow you to adjust to a wide range of conditions.  I suggest a fleece jacket (or two), a fleece vest, gloves (see prior post), a warm hat, a sun hat, lightweight, loose fitting long pants and long-sleeved shirt, light hiking boots and hiking socks, and a parka or windbreaker that can fit over all your layers. Long underwear for early morning and high altitudes is a good idea.

 

Some stray tips. The park service provides a helpful Morning Report which has the daily weather forecast, yesterday’s temperatures and current road conditions; Death Valley National Park’s seasonal newspaper will help you make the most of your visit, and if you are without prior knowledge of the area or are not travelling without someone familiar with Death Valley, you can enhance your experience of Death Valley by joining a ranger guided tour.

 

 

OK OK! I know you are anxious to get out there and burn some gigs, so saddle up pardner as we are pulling up to Eureka Dunes! Yeehah!

 

 

Happy Shooting!

http://www.richsmuklerphoto.com

 

Against the Traffic: Alabama Hills, California (the iconic western movie set)

The Alabama Hills are located just west of Lone Pine, California and easily accessible. Lest you think your humble reporter has just discovered them, they have been used for many years to represent the iconic American West. Nearly 400 films have been shot here. The list of famous directors and actors that have been a part of this ongoing set is just too long. Just to names a few: directors William Wyler, John Ford, George Stephens and William Wellman; and actors John Wayne, Bing Crosby, Gene Autry, Barbara Stanwyck and Jeff Bridges.

High Sierra with Humphrey Bogart, culminates with a shoot-out between Bogart’s character and the police at the foot of Mt. Whitney. The 1955 classic Bad Day at Badrock starring Spencer Tracy and Anne Francis was also filmed in and around the Lone Pine area. The first Lone Ranger ambush was filmed here, and it was here that Roy Rogers found Trigger. I could go on and on.

It is no accident that these hills have been chosen time and time again to produce so many films. Mother Nature has much to do with this. Geologically speaking:

      “The high and low temperatures of the Sierra, and the freezing, expanding, and thawing of rain and snowmelt created the “chiseled”   splintering of their granite. But down in the relatively moist and soil-covered region of the Alabamas, this process did not occur. Instead, the soil gradually eroded away, exposing the oddly-shaped piles of boulders that stand here today. There are two main types of rock exposed at Alabama Hills. One is an orange, drab weathered metamorphosed volcanic rock that is 150-200 million years old. The other type of rock exposed here is 82-85 million year old biotite monzogranite which weathers to potato-shaped large boulders, many of which stand on end due to spheroidal weathering acting on many nearly vertical joints in the rock.”

There are dozens of natural arches, always a sucker shot for those of us bitten by the camera bug, easily accessible by short hikes. Among the notable features of the area are: Mobius Arch, Lathe Arch, the Eye of Alabama and Whitney Portal Arch.

Typical of landscape photographic technique, I strongly recommend three things.

1.  The use of your tripod is critical! If you are not comfortable with its use, get comfortable! Practice with it before you go out to shoot, or when you have time to dawdle away. It can get finger-numbingly cold out there. That is NOT the time to figure which end is up.

2.     Bring gloves that you can shoot with. There are a variety of gloves that work well for photographers. I found that the gloves that work best for me allows you to free your finger tips while allowing you to access your camera’s controls. Shop around. As usual, B & H is a good place to start.

3.     Be prepared to shoot early and grab the glow that only the first light can give you. It doesn’t last long, so get out there, set up and get to work. The late afternoon also provides beautiful long and warm shadows. Sleep is merely an illusion.

This slideshow requires JavaScript.

 

If you are staying in Lone Pine, you will get a kick out of the western motifs. Movie paraphernalia is everywhere in celebration of this fantastic location. Get some sleep, as tomorrow we head down to Death Valley to shoot Eureka Dunes!

 

Happy Shooting!

Rich Smukler

http://www.richsmuklerphoto.com

Against the Traffic: From Lone Pine to Death Valley, California

Lone Pine, California is a sleepy little town. For me it was a great jumping off spot for my journey into Death Valley. Before your trip into the park, do not miss Alabama Hills which is the subject of my next post. But first, let’s discuss Lone Pine.

It is located 16 miles (26 km) south-southeast of Independence, California at an elevation of 3727 feet. The town is located in the Owens Valley near the Alabama Hills. Since Death Valley is unbearable in the dead of summer, February was selected for this photographic adventure. Lone Pine and most of the Owens Valley have a high desert climate characterized by hot summers and cold winters. January temperatures range from the middle fifties to upper twenties. This information is critical in your preparation as you may be shooting in near freezing conditions, extremely warm conditions, early dawn and evening shoots as well extremely challenging high sun glare shoots, especially once you reach the dunes of Death Valley.

The town is small and quiet and provides ample affordable housing and restaurants. There are drugstores, markets, clothing stores, gas stations, etc. for provisions that might be needed.

KEEP YOUR GAS TANK FULL AS WHEN YOU DO GO INTO THE PARK THE AVAILABILITY OF GAS IS LIMITED AND EXTREMELY EXPENSIVE!

I landed in Las Vegas and drove across the Amargosa Valley, through Death Valley and eventually arrived in Lone Pine some 5 hours later (approximately 240 miles). May I recommend that you rent as sturdy a vehicle with as high a clearance as possible. Some of the roads you will be taking once you are exploring the park can be extremely challenging. There are some locations where you will be without cell-phone service and with no AAA or gas stations for miles. Make sure to carry plenty of drinking water and snacks. Clothing should be carried to provide for extremely varying temperatures. Sturdy boots or walking gear a must. Sun glasses, sun block, compass, road maps and full camera gear should be carefully considered.

This slideshow requires JavaScript.

If you are coming from the Los Angeles area, the trip is about 4 hours north on US 395.

Before our venture into the Alabama Hills, there are a couple of sites in and around Lone Pine that you might want to consider. Mount Whitney is the highest summit in the contiguous United States with an elevation of  4,505 feet (4,421 m). I am contemplating this as a future photographic adventure. Though only about 23 miles on US 395 S or 16 miles on Whitney Portal Road, the trip will still take about 1 hour 15 minutes as the roads are rough. It is home to the Lone Pine Film Festival, each October. This small, high desert community has much to offer. I will discuss more about the film festival in conjunction with The Alabama Hills as that is where most of the films were shot.

Down the road from Lone Pine is the National Historic Site of Mazanar. The somber, skeletal remains of Manzanar remind us of a shameful chapter During World War II. “Tens of thousands of Japanese-Americans were forcefully deported to various relocation camps throughout the nation.” During my stay in Lone Pine I observed many Japanese-Americans who had come to pay their respects. I personally visited Mazanar with the thoughts of capturing some interesting images, but found the site unyielding for me on that day. Perhaps I wasn’t seeing particularly well. Sometimes it just happens that way.

The Sierra Nevadas loom in the background and I was able to capture “Sierra Nevadas” which was one of my favorite images on The Road to Death Valley.

Let’s get to bed early as  tomorrow we will beat the dawn on our way to The Alabama Hills.

 

Happy Shooting

Rich Smukler

http://www.richsmuklerphoto.com

View RICH SMUKLER’S work at The 101st Exhibition of the Connecticut Academy of Fine Arts

See Rich Smukler’s work “Jessie” at The Connecticut Academy of Fine Arts 101st Annual Exhibition (CAFA).

“Jessie” was also exhibited at the (SDAI)  San Diego Art Institute / (MOLA) Museum of the Living Artist (San Diego, California 2009) and is currently part of  The American Juried Art Salon: Fine Arts Show 2011 (on-line).  It is also published in Photographer’s Forum Magazine / Best of Photography 2011 (Serbin Communications), and was exhibited at The Elliott Museum (Stuart, Florida 2012) and The Saco Museum Mill-ennial 2012 (Saco, Maine).

The CAFA OPENING RECEPTION AND AWARD CEREMONY  is scheduled for the evening of Thursday, JUNE 7, 2012 from 6 to 8 PM at the Mystic Arts Center located at 9 Water Street, Mystic, Ct., 06355. Phone: 860-267-6023 for further information.

Rich Smukler’s works can also be seen at www.richsmuklerphoto.com

Share this:

• Twitter3
• Email
• LinkedIn3
• Facebook
• More

View RICH SMUKLER’S works at The SACO MUSEUM IN SACO, MAINE

The “Cross” and “Jessie” cross country tour continues! See Rich Smukler’s works “Cross” and “Jessie” currently exhibiting at The Elliottt Museum’s 7th Annual Juried Art Show (Stuart, Florida)  held thru March 2, 2012.  These two award-winning pieces will be exhibited at The Saco Museum in Saco, Maine from April 6 thru June 10, 2012 as part of their 2012 Mill-ennial.

“Cross” is an image taken in an abandoned marble quarry in The Apuan Alps, near Pietrasanta in northwestern Tuscany. This area is known for the quality of marble used by Michelangelo. “Cross” has earned distinction at San Diego Art Institute’s (Museum of the Living Artist) 50th International Award Exhibition. It will also be on display at the The Elmhurst Art Museum in Elmhurst, Illinois from February 21 through March 28, 2012. “Jessie” was also exhibited in San Diego and  is currently part of  The American Juried Art Salon: Fine Arts Show 2011 (on-line). It is also published in Photographer’s Forum Magazine / Best of Photography 2011 (Serbin Communications).

The Saco Museum’s opening reception is scheduled for the evening of Thursday, April 5, 2012, located at 371 Main Street, Saco, ME 004072. Phone: 207-283-3861 for further information.

Rich Smukler’s works can also be seen at www.richsmuklerphoto.com

View Rich Smukler’s works at The Elliott Museum

See Rich Smukler’s photographs “Cross” and “Jessie” at The Elliottt Museum’s 7th Annual Juried Art Show to be held from Friday, February 3, 2012 thru March 2, 2012. “Cross” is an image taken in an abandoned marble quarry in Apuan Alps, near Pietrasanta in northwestern Tuscany. This area is known for the quality of marble used by Michelangelo. “Cross” had earned distinction at San Diego Art Institute’s (Museum of the Living Artist) 50th International Award Exhibition. “Jessie” was also on display in San Diego and  is currently part of The American Juried Art Salon: Fine Arts Show 2011 (on-line). It is also published in Photographer’s Forum Magazine / Best of Photography 2011 (Serbin Communications).

Due to museum construction, The Elliott Museum’s preview is scheduled for Friday, February 3, 2012 at Northern Trust Bank from 5:30 – 7:00pm. RSVP required. 2201 SE Kingswood terrace, Monterey Commons, Stuart, Florida.

Rich Smukler’s works can also be seen at www.richsmuklerphoto.com.

 

HOW DO YOU DEFINE A FINE ARTIST?

 

 

Over the years I have gone to hundreds of museums and galleries, studied the works of the masters, read the analyses and opinions of critics, seen and opined on the works of my fellow students and mentors. All the time, I am searching for a thread, a common denominator. What makes a piece of art wonderful, memorable or just plain awful? And within that question, I try to evaluate the body of work of that particular artist and ask whether or not this is the work of a fine artist?

 

 

George DeWolfe, in one of his master classes, fascinated me with his revealing analysis of paintings of the masters, such as Rembrandt, Degas, Cezannes, Pollack and others, as they related to development of the fine black and white photo. He took images of these paintings and reduced them to grayscale to better view the breadth of tonality in each of these pieces of art, even before photography was on the map. This was done to demonstrate some of the amazing qualities of these painters, all painting with color, but somehow fully understanding the quality of composition in its underlying tonality. They knew how to see well. Dewolfe went on to say that,

 

  “The masterful articulation of the grayscale in these paintings is not only the key to good color, but also the essential key to creating presence in the work – the foundational element of a masterpiece.”

 

 

This is as good a place as any to start our thought process.

 

I confess that often I’ll go to a museum and wander through the exhibits and unfortunately, not get it. I mean that I am not moved, wouldn’t want to own it, in fact, I am angry that I am wasting my time! And yet, these exhibitions, installations, or pieces of art are often heralded by the museum, or someone of credibility, as being significant and noteworthy. I shrug my shoulders.

 

What does impress me however, is when an artist has over the years developed a unique and consistent body of work; pieces that would be recognizable as being that artists’ artwork years after being produced, yet, in some way, different from the earlier work. I am sure we are all familiar with some exceedingly successful artists who have a signature style that is forever recognized as being special and unique. Some of these artists, unfortunately, get caught up in their success and are fearful of leaving an established comfort zone. Others display the guts and artistry to move forward with newer and more challenging work. I say SHAME on the former, and HATS OFF to the latter.

 

 

I am willing to allow the definition of a fine artist to remain somewhat undefined for the moment. I am steadfast, however, in my belief that a fine artist will create a unique and recognizable body of work that continues to evolve as the artist explores and builds on the past. We owe a debt of gratitude to those of you that adhere to these convictions. What are your thoughts?

HAPPY SHOOTING!

You can see works of Rich Smukler at www.richsmuklerphoto.com.

 

 

 

 

 

Against the Traffic: The Road From SAN QUIRICO D’ORCIA To PIENZA

Both San Quirico and Pienza are magical, ancient Tuscan towns that merit comment and will be the subject of future articles. Today, however, we will visit the extraordinarily exciting road that connects these two towns and strums the true sounds of Tuscany. For years I have driven the 6.25 miles of this amazing highway and never tire of it.

SP146 / Strada Provinciale di Chianciano ribbons through the Tuscan countryside and is the stuff that Lamborghini and Ferrari must have had in mind. Go as the sun rises or as the sun is stretching its long shadows from the west. Any time of year will reveal the many facets of this magnificent countryside. There is one lane in each direction with multiple winding curves that provide a bonanza of sight lines. At a decent speed the entire ride is about 15 minutes. Downshifting into one of the many hairpins is just plain awesome!

MAJOR RULE: DON’T FORGET YOUR TRIPOD! (Say that at least three times). I know it is a pain schlepping it across the world, but you won’t regret it. Your images will be infinitely better. Also, be prepared for some atmospheric challenges. This part of Tuscany is rural and agricultural. You may  find some dust kicked up from the tractors and such. That can be also be great news for your shots, as the combination of light and dust can produce wonderful results. Be ready to clean your lenses regularly while out in the field. If you are carrying a backup camera body, I suggest you select your two favorite lenses, one for each body, and refrain from removing your lenses from their bodies while the dust is swirling. Or, you can always retreat to the car.

For a little extra delight, as you approach Pienza, look to your left for a sign to Santa Anna Comprena. This back road will take you to the 15^th Century Monastery where Director Anthony Minghella shot many scenes from his movie The English Patient starring Juliette Binoche and Ralph Fienes. The setting is both serene and haunting. It has been turned into a B&B and you will be able to shoot inside the church, both memorable and challenging.

Happy Shooting!

You can see more of my images from Tuscany at www.richsmuklerphoto.com

TRAVEL TO SHOOT? THE MEANING OF TRAVEL PHOTOGRAPHY

Having returned from a photography trip to Kenya and Tanzania, I was brimming over with pride at the many exotic images I captured: Kilimanjaro, the Maasai tribesmen, the Serengeti and all that Africa has to offer. I was living my dream. That’s when a cold towel slapped me across my face! At our monthly photo-group meeting I was itchy to show some of this new work. Meanwhile, one of our members was displaying some truly great images that he had just taken in his backyard! An interesting point-counterpoint crossed my mind.

What is the concept of TRAVEL PHOTOGRAPHY all about? Travel for me isn’t as much fun as it used to be. I’ve shot world-wide and have seen many of the wonders the world provides. Air travel has presented new challenges. My old bones aren’t what they used to be. Yet, there is still a rush that I get when plying my craft in new and unique locations. I see things with a fresher eye. My hometown is Boca Raton, Florida, replete with many exotic sights. However, I wouldn’t consider shooting in my hometown as TRAVEL PHOTOGRAPHY. Ironically, someone who has traveled from Africa to Florida to shoot probably WOULD. So, if it isn’t the travel that lures me, and if locations can be treated as fungible widgets, then perhaps it is something else? Perhaps it is the mindset or dedication to the craft when you are on a new location (wherever that might be)? Perhaps it is being totally focused and immersed in all things photographic when you are situated in a location that is conducive to your full attention?

Some years ago I was part of a workshop sponsored by TPW (Toscana Photographic Workshop) and led by Arno Minkkinen. Arno is the consummate instructor. He tirelessly challenges his students to be as creative and innovative as possible. One of his exercises, which caught my imagination, was a road trip that we took to Lake Bosena, situated in the Lazio region and close to the boundaries with Umbria and Tuscany. There were only about eight of us and we decided to take three cars. And though we had an end destination in mind, it was decided by Arno to stop every fifteen minutes and shoot for about ten minutes per location. We stopped once on the side of a barren field, a commercial site and a location in some hillside area. None of these locations would have typically caught my eye or called out to me to stop and shoot. Yet, the images gathered by our group from these locations were exceptionally interesting and memorable. Lesson learned: Perhaps the setting isn’t as important as the photographer and his will to see well.                                  

Another unintentioned lesson was learned in Arno’s class. One member of our group was a young woman who was seriously injured and permanently confined to a wheel chair. Only through her sister’s love, was she able to travel thousands of miles from the United States in order to fulfill her dream of shooting in Tuscany. An amazing feat! She shared her portfolio early in the workshop with the rest of us. The main body of her work was comprised of a series of images taken from her basement apartment. Being wheel-chair bound as she was, she had a single view from a window which looked out and up on a street in New York City. The view was limited, yet her pictures were fascinating and multidimensional. She also had invited people to come to her cramped quarters and photographed them against a single wall where she produced a series of intensely moving portraits. The lighting and composition were astounding. I will never forget them or the lesson she brought to us.

I love the whole concept of TRAVEL PHOTOGRAPHY and am proud of many of the images captured over the years. Yet, I have grown to believe that it is the mindset that comes with travel that is most important. I ring this thought up each time I dust off my camera for another shoot.

Happy Shooting!

You can see more of my images on my website at www.richsmuklerphoto.com.

I HATE MY CANON D5 MARK II CAMERA!!!

NOT REALLY! I’ve been a satisfied Canon user for years pre-dating digital: from the AE-1 35mm SLR Film Camera, 20D, EOS T2i, 40D and now the D5 Mark II. I have to say that I am thrilled with the D5 and am amazed at its power and versatility.

I know that some of us out there are Nikon enthusiasts and others are Canon. It just so-happened that when I was converting to digital some years ago, most of my instructors were into Canon. I started down that path and saw no reason to change, especially due to the lens interchangeability feature.

Some months ago I was shooting out in Santa Monica, California. Typically, I carry the camera with the strap around my neck (either over one shoulder with my camera to the side, or with the camera hanging in front of me). I am recovering from recent neck surgery and after several hours the weight of the camera begins to take its toll. I sought advice from a friendly neighborhood camera shop.

They came up with a two-part solution. The first was a Tamrac Neoprene Shock Absorber Strap. It a tough stretchy neoprene rubber strap that holds most digital SLRs and absorbs the weight of the camera for hours, or so they claim. It acts like a bungee cord and really does the job. The second solution was a carry bag which is big enough to hold the camera and can be worn with a built-in belt around your waist or a built-in strap that you can carry over your shoulder. I purchased a second Tamrac strap to replace the strap that came with the case. I find that the camera, when in the case, isn’t nearly as accessible for quick shooting in comparison to the camera being around the shoulder.I chose a Canon carry case. It has a front-ended pouch which can hold a couple batteries and memory cards. There is another interior compartment for whatever else you miight choose. I know that there are several brands of these cases and recommend you select the best for your particular needs.

This system works for me and I hope it is of some value to you as well. By the way, I own no stock or have any financial interest whatsoever in any of these products.

Happy Shooting!

You can see more of my images at my website at www.richsmuklerphoto.com.

View Rich Smukler’s Works at Boca Raton Museum of Art School

See Rich Smukler’s award winning photograph “This Way” along with “Squared” currently on display at The Boca Raton Museum of Art School (Boca Raton, Florida), running through January 11, 2012. These pieces were previously exhibited at The Robert Rauschenberg Exhibition at The Museum of The Gulf Coast in Port Arthur, Texas (home of Rauschenberg’s birth).

Raschenberg is one of America’s most prominent artists (October 22, 1925 – May 12, 2008), known for his works as The Abstract Expressionist Movement morphed towards Pop Art. Not only a painter, he worked also in photography and printmaking.

You can see more of Rich Smukler’s works at www.richsmuklerphoto.com.

Against the Traffic: ROCCA D’ORCIA AND CASTIGLIONE D’ORCIA, ITALY

Getting ready for your morning shoot in Italy is similar to many of the “outback” locations you are likely to stumble upon. Get ready the night before and expect no backup once you are on the road. You are highly unlikely to find a camera store that has anything that you might need. Fugedaboudit! Have a couple backup batteries, plenty of memory cards, your backup camera body and any lens you think you might be using. I love to use my monopod as a walking cane, but your tripod is indispensable! Remember to bring your plug adapter when you travel to Italy. European electricity, as in the rest of Europe, comes out of the wall at 220 Volts and alternating at 50 cycles, whereas in the United States, 110 volts at 60 cycles per second. Most hotels and B&Bs will have adapters, but DON’T TAKE A CHANCE. Charge your batteries the night before, erase and format your memory cards so you don’t fumble when you come upon your first good shot of the morning. Clean your camera and lenses from your prior day’s shoot and double check that your settings are exactly where you think you want them to be.

A couple of other thoughts before we start our climb: good walking shoes or boots, have a nice breakfast (food and bathrooms might be a bit tricky to find, so throw some snacks, maps, water and toilet paper in your bag, just to name a few of the more obvious items). I know you are getting impatient, but run through your personal workflow (memory card management, preferred settings, etc.), and NOW (pshew!) let’s get going!!

Traveling down from Bagno Vignoni, you are only a few minutes from your ascent to the twin towns of Rocca d’Orcia and Castiglione d’Orcia. Once you are there, you might as well take them both in. They are remarkable!

Rocca D’Orcia  stands guard over the Via Francigena, the pilgrim’s road leading from France to Rome.  From its almost impregnable position, the local rulers had a safe spot from which to control the territory. This area was first documented back in 853 AC. and has a fascinating and complex historical significance. Your challenge as a photographer might be to capture this journey into the past.

To provide a thumbnail historical sketch: In the mid-12th century, Tentennano (as it was known) was in the possession of the Tignosi feudal family, who in 1207 granted a new statute called “Charta libertatis” to the local population. It set forth numerous rights, an act of fundamental importance to Italian medieval history both for its content and style. The Fortress passes through several families over the years and was last used for military purposes in the middle of the 16th century which saw the city-state of Siena annexed to Florence. The defensive system of Rocca D’Orcia with its Rocca of Tentennano consists of a series of walled enclosures designed to benefit from the ruggedness of the environment. From the entrance gate you can see the ruins of another gate which opens onto a second walled circuit. The architecture of the tower provides interesting photographic challenges. Just before entering the tower, there are arch openings and a limestone wall face of which the whole fortress is built. A majestic view of the Orcia Valley, the Amiata Mountains and the surrounding countryside can be seen.

Don’t miss visiting the Village of Rocca D’Orcia which has maintained its original medieval architecture. You’ll find a charming square with a central cistern, religious buildings and a small, yet interesting country culture museum. The village is quiet and haunting. Out of dumb luck I saw the same gentleman in this tiny town square each of the two times I visited – five years apart. Not too much seems to be going on. This is a village where people live their lives quietly. There are very few tourists, except those who may wander down from the castle. I noticed a sign for a restaurant, but unfortunately it was not open on each of my visits to the town. Don’t expect to find a McDonalds!

The defense systems of the fortress were closely integrated with the Village of Rocca d’Orcia that lies below.  The walls of the town contained the entrance courtyard of the fortress, and an ancient door is still visible, though only partially, in the village today. This charming medieval village is just a few minutes walk away from its neighbor Castiglione D’Orcia. It seems larger than Rocca D’Orcia and more vibrant in the sense that people are more visible, some shops were available, and overall, a greater vibe than what you find of its’ more quiet neighbor. The architecture is similar and replete with magnificent photo opportunities, both of the valleys below and the ancient-walled architecture. To visit both Rocca d’Orcia and the Rocca di Tentennano, it is best to park in the area that lies at the foot of the steep slope leading up to the Fortress.  A picturesque walk along the cypress-lined hill leads to the main entrance. From there, you can stroll into the village.

Happy Shooting!

You can see some of my Tuscan images on my website at http://richsmuklerphoto.com

Against the Traffic: BAGNO VIGNONI, ITALY

Every photographer has their own rhythm, their own beat. It’s the way you prepare for your shoot, the ritual you run through readying your mind, your equipment, everything you do to assist in a successful outing.

 I for one enjoy the quiet of my mind and draw within when I get out there with my camera. Some, I know, prefer the companionship of comrades as opposed to the solitude that I so much enjoy.

 When traveling to new countries or locations for the first time, it is only natural to seek out the most traveled or noteworthy sites. As an example, your first time to Italy will most likely draw you to Rome, Venice or Florence. They are wonderful and have infinite photographic possibilities. But this series of articles will explore some of the lesser known locations that I found along the way. They are remarkable photographic opportunities.

 BAGNO VIGNONI is an ancient village in the heart of Tuscany situated in the Val d’Orcia National Park. I was first introduced to it years ago when studying at TPW (Toscana Photographic Workshop) as it had become a favorite evening hangout for many of the students.

 Thanks to the Via Francigena (which was the main route followed by pilgrims in antiquity who went to Rome), … thermal waters were found and have been used since Roman times. At the heart of the village is the “Square of sources“, namely a rectangular tank, of 16th-century origin, which contains the original source of water that comes from the underground aquifer of volcanic origins. Since the Etruscans and Romans – as evidenced by the numerous archaeological finds – the spa of Bagno Vignoni was attended by eminent personalities such as Pope Pius II, Santa Caterina da Siena, Lorenzo the Magnificent and many other artists who had elected the village as main holiday resort. … Bagno Vignoni, … despite numerous incidents of war, devastation and fires that involved the Val d’Orcia in the Middle Ages, remains essentially unchanged. … From Bagno Vignoni, you can easily reach the historical centers of nearby Pienza and Montalcino, and the general Val d’Orcia area, including the Park of Mount Amiata. (Wikepedia)

 The village provides exceptional photographic challenges. By day, this sleepy village hosts wonderful hillside and mountain views of the valley below. You are also treated to a haunting scene of Rocca d’Orcia (subject of my next post). The thermal waters course through the hills and carve fascinating archeological dig-like opportunities. A small park with children, the occasional hardy biker, folks staying at the nearby hotels and spas, dipping their feet in the waters, are all click-worthy. But at night, it all begins to happen! The holiday-like lights throughout the village take over from the long Tuscan setting of the sun. The Square of Sources captures the reflections from the surrounding shops and restaurants. Its’ glow is magical and tempts your skills for night shooting.

 Hotels, spas and B&B’s sprinkle the area. With a little luck, you can find one just outside of town, down by the rolling Tuscan Hills. I can provide some recommendations, if you are interested. The restaurants are of typical Tuscan delight and my mouth is drooling at the very thought of the incredible red wines made in these very hills.

Happy shooting!

How to reach Bagno Vignoni: From Siena, direction SS2 Isola d’ Arbia, reach San Quirico d’ Orcia, remain on the Cassia Road (SS2) direction Rome, only 5 Kms.

 You can see some of my shots from Tuscany at www.richsmuklerphoto.com

WAIT FOR THE LIGHT: OR PASS ON BY

Sometimes my mind sees a potential image better than it really is. I am afraid that my previsualization is occasionally on steroids and the end result can be a disappointing capture whose time has long past.

Example: Recently on a trip to Ravello, Italy, an absolute jewel of a town on the Amalfi Coast, I was walking down a picturesque road and came upon a fabulous antiquated church. It was bathed in ivy and had a wonderful mountainside as a backdrop. Another sucker shot I thought. This was too good to be true. And of course, it was. The composition and texture were magnificent! One problem. I forgot about the light! Feh! I saw it in my mind, but forgot to transpose it in reality. The result, a dull, flat and uninteresting image that was beyond post-processing first aid. Dead on Arrival!

 Sandro  Santioli is thought by many to be the quintessential Tuscan landscape photographer. Some years ago I had the pleasure of participating in one of his workshops, an experience I will never forget and be forever grateful. Our group started the day before sunrise, tripods in hand and cappuccino consumed, fearlessly planted in the midst of a beautiful field outside of Pienza. We waited for the sun to appear. And it did. As it moved through the sky, clouds moved in and out of the eye of the lens. Shadows changed, images appeared and disappeared and reconfigured upon the rich, lush Tuscan countryside. And for hours I barely moved my tripod, much like a patient fisherman waiting for the catch.

 By Noon the sun was too high. We retreated to one of Tuscany’s many ancient mountaintop towns for lunch and more shooting. Architectural shots can be pretty successful when the sun is high as the buildings block the direct rays and can create some wonderfully sharp and interesting images.

 Not to be daunted, by afternoon we returned to the fields to yet again track the sun, this time as it moved to the west. If you have ever been to Tuscany you appreciate the long late and early evening light, so rich, colorful and warm. Same location, different results, stunning in many ways.

 That evening, the sun now gone, we changed locations to inside Sienna, another wonderful feast for the eyes and lens. This time we concentrated on night street shooting with the added benefit of a little atmospheric eye-candy as a light rain provided a memorable challenge with eye-popping results.

 I learned that day about patience and the light. I hope to remember that lesson the next time I come upon a sucker shot.

Happy Shooting!

You can see some of my Tuscan images on my website at http://richsmuklerphoto.com

PHOTOGRAPHY WITHOUT CAMERAS

An unlikely premise, I know. However, after many years as a photographer, I am beginning to sense a change in the way I approach photography and also the way I see life.

As a young man, goofing around with my Brownie Hawkeye camera, I would only see what the camera lens had to offer when I was actually in the process of looking into the camera and trying to take a picture. Many years and thousands of images later have led me to a totally different approach to my craft.

Wandering through the swamps, or over mountains or through the cities looking for interesting shots to take, has re-wired the way I look at things, searching for what I consider a well-seen image. I find myself driving along in my car saying to myself, “what a great shot that’d make,” or “look at the wonderful glow rim-lighting that tree!” I’d often think to myself that I wish I had my camera with me. Often I do, but sometimes I don’t.

There is still nothing that quite beats the hunt of the shoot, that is, going out and physically taking the shot and transferring it into an electronic or print image. Yet, the sadness or upset of not having my camera when a perfect moment appears is not quite as painful as it used to be. Now, I AM THE CAMERA and exhilarate in the experience. I find myself looking at most everything as though I’d be framing it in an artistic composition, making split-second, automatic decisions as to whether the light is right, depth of field requirements, etc., all the elements on my checklist as if I actually had my camera in hand. It is a somewhat soothing effect. I wonder if you feel that as well?

Happy Shooting!

you can see some of my images on my website at http://richsmuklerphoto.com