Your Camera and Bright Light Conditions

The beauty of Infrared photography is best brought out when the sun’s infrared rays are strongest. Typically, this is midday when the sun is at its brightest. Unfortunately, if you are shooting using live view, your LED will be difficult to see due to glare.

Though I rarely recommend various products, I encourage you take a look at Hoodman HoodLoupe Optical Viewfinder for 3.2″ LCD Displays and related products. It effectively blocks out the sun’s glare and allows you to have a clear view of your subject. Hoodman also has a rubber eye loop which fits over your viewfinder if you are hand-holding your camera and don’t use your LED.

LED glare blocking device

Hoodman HoodLoupe Optical Viewfinder for 3.2″ LCD Displays

Rich Smukler specializes in Landscape and Fine-Art Photography from his studio in South Florida. His works have been featured in numerous museums, galleries and private collections internationally. You can see more of his works at (Kick back and stay awhile).


Tips for Cold Weather Photography

A recent trip to Alaska caused me to revisit some basic tips when shooting in pretty extreme weather conditions. The temperature varied from near freezing to the low 80s and provided quite a challenge when it came to preparation for the trip. A few things you should keep in mind:

1. Camera Preparation: Consider your settings beforehand (to the best of your ability) and before you step outside. You don’t need to be fussing with your camera when you get out in the cold. Also, try to get your camera out in the cold for a significant period of time before you shoot. Otherwise, going from a warm lodge or car directly to the cold weather will cause condensation to form on your lenses and camera – not a pleasant thing.

2. Clothing: Layers of course, the conditions can change quickly and you’ll need to be ready. Gloves are a critical piece of the puzzle. There are some winter gloves available that allow you to remove the fingers which permit you to manipulate the camera when outdoors. I personally prefer using thin glove liners. When you are looking for subject matter or waiting for the light you can wear the glove shells and slip them off when ready to get to work.

3. Coming Indoors: Consider an airtight plastic bag for your camera to avoid condensation and remove your memory card as soon as possible for the same reason.

Happy Shooting!

Rich Smukler specializes in Landscape and Fine-Art Photography from his studio in South Florida. His works have been featured in numerous museums, galleries and private collections internationally. You can see more of his works at (Kick back and stay awhile).

Crowley Point, Death Valley

The majestic scenic overlook at Crowley Point is nothing less than breathtaking. It is located at the west entrance to Death Valley National Park and provides a wide variety of panoramic photographic landscape possibilities.

Magnificent Landscapes in National Parks

Crowley Point, Death Valley National Park

Rich Smukler specializes in Landscape and Fine-Art Photography from his studio in South Florida. His works have been featured in numerous museums, galleries and private collections internationally. You can see more of his works at (Kick back and stay awhile).



Home of the oldest living things on earth, The Ancient Bristlecone Pine Forest is located about an hour east of Bishop, California in The White Mountains (elevations between 9,000 to 11,000 feet) and accessible via The Schulman Grove Visitor Center. These magnificent trees can range between well over 2,000 to 4,773 years old! Think about it! This was taken in October and the temperature was below freezing. If you plan to go, dress accordingly.

Rich Smukler specializes in Landscape and Fine-Art Photography from his studio in South Florida. His works have been featured in numerous museums, galleries and private collections internationally. You can see more of his works at (Kick back and stay awhile).



Our Elephants are Disappearing

A recent article  in The Washington Post by Darryl Fears is titled “Forest elephants are vanishing, and they might never recover from poaching.” It points out the startling decline in birthrate as well as the negative impact of poaching. I found it both saddening and alarming. This particular image was taken at The San Diego Zoo. Though I have been to East Africa (Tanzania and Kenya), this particular photo sticks with me.

 Is there something we can do as individuals to stem the tide and protect these magnificent animals? I encourage your thoughts.

Rich Smukler specializes in Landscape and Fine-Art Photography from his studio in South Florida. His works have been featured in numerous museums, galleries and private collections internationally. You can see more of his works at (Kick back and stay awhile).

International Color Awards in Architectural Photography

Honorable Mention IPOTY - International Photogragy of the Year and Nominee International Color Awards

Longest Night – Eastern State Penitentiary



LOS ANGELES 8/24 – Rich Smukler of the United States was presented with the 9th Annual International Color Awards Nominee title in the category of Architecture: architectural photography.  He was also nominated in the Category of Nature: nature photography. 5,678 entries were received from 78 countries.

“I am proud to announce that ICA saw fit to bestow this honor. You might remember that ‘Longest Night’ was awarded Honorable Mention at this year’s International Photography of the Year Awards.”

“Longest Night” is part of a photographic essay of Eastern State Penitentiary recently published by LenCulture Magazine. Located in Philadelphia (Smukler’s hometown), Eastern State Penitentiary was once the largest and most expensive public structure ever erected, and quickly became a model for more than 300 prisons worldwide and designated a National Historic Landmark in 1965. It was also known for some such infamous prisoners as Al Capone and Willie Sutton.

Rich Smukler specializes in Landscape and Fine-Art Photography from his studio in South Florida. His works have been featured in numerous museums, galleries and private collections internationally. You can see more of his works at (Kick back and stay awhile).

From Skagway to Davidson Glacier


So here you are, enjoying your early morning coffee in Skagway, Alaska and looking for something amazing to do. Look no further. Consider the Glacier Point Wilderness Safari. I’d like to tell you that it’s right down the road and you can’t miss it. Not quite true, but certainly worth the effort. You start off in a custom enclosed power boat for a 45-minute ride through Lynn Canal which happens to be North America’s deepest and longest fjord – with a chance to see all types of sea life, waterfalls and mountain views. The trip takes about 45 minutes. Upon arrival at Glacier Point beach you board a bus for a short ride to a base camp where you will gear up with boots to repel the glacier silt, life jackets and wet weather gear. A hike through a magnificent rain forest leads to 31-foot voyager canoes that will take to you Davidson Glacier recounted by John Muir in his travels around Glacier Bay in 1879. Just amazing! You will walk though the glacier silt and rock formations as you get closer to this natural wonder.

Rich Smukler specializes in Landscape and Fine-Art Photography from his studio in South Florida. His works have been featured in numerous museums, galleries and private collections internationally. You can see more of his works at (Kick back and stay awhile).

Jordon Pond in Acadia National Park


Located near Bar Harbor, Maine, Jordan Pond is a glacier formed tarn with a maximum water depth of 150 feet. The water is exceptionally clear with an average visibility depth of 46 feet (14 m) but this has been measured as high as 60 feet (18 m), the most ever recorded in the State of Maine. If you go, you can grab a snack at the nearby Jordon Pond House. For those who have never visited the area, Acadia National Park is a stunning national treasure on the coast of Maine.

Rich Smukler specializes in Landscape and Fine-Art Photography from his studio in South Florida. His works have been featured in numerous museums, galleries and private collections internationally. You can see more of his works at (Kick back and stay awhile).

America’s Most Inaccessible National Park

If you think you have come to the end of the southernmost tip of the United States once you have reached Key West, think again. Seventy miles west out over the emerald waters of The Gulf of Mexico you will find The Dry Tortugas National Park. Fort Jefferson is the largest 19th Century coastal fort and is its central feature. Take a two hour plus boat ride from Key West or consider a sea plane. This is a unique adventure not to be easily forgotten.

Rich Smukler specializes in Landscape and Fine-Art Photography from his studio in South Florida. His works have been featured in numerous museums, galleries and private collections internationally. You can see more of his works at (Kick back and stay awhile).

Lake Tenaka – Yosemite National Park

untitled-8903 copy 2

Taken in Yosemite National Park, California

Rich Smukler specializes in Landscape and Fine-Art Photography from his studio in South Florida. His works have been featured in numerous museums, galleries and private collections internationally. You can see more of his works at (Kick back and stay awhile).


Misty Dawn

untitled-2549 copy

Taken in Boynton Beach, Florida.

Rich Smukler specializes in Landscape and Fine-Art Photography from his studio in South Florida. His works have been featured in numerous museums, galleries and private collections internationally. You can see more of his works at (Kick back and stay awhile).

Rich Smukler Retrospective at La Rondine Gallery in Bagni di Lucca

Como TristeLa Rondine Gallery is located in the beautiful Northern Tuscan village of Ponte a Serraglio in the commune of Bagni di Lucca. Since the Renaissance, this village has attracted artists of all disciplines to take refuge and rest in its thermal valley and spectacular vistas. Smukler had studied photography for seven summers at TPW (Tuscano Photographic Workshop) is San Quirico D’Orcia. He was blessed with the opportunity to study with such photographic luminaries as Arno Rafael Minkkinen (known world-wide and himself a student with Harry Callahan and Aaron Siskind), Sandro Santioli (lauded by many for his mastery of landscape photography), Bob Sasha (known for his photographic story telling and winner of a Pulitzer, Emmy and Webby) and David Alan Harvey (named Magazine Photographer of the Year by the National Press Photographers Association).

Though Lucca is to the north, Tuscany is like a second home to Smukler and represents a milestone in his career. For 2 special weeks, a solo show of his works will be on exhibit for townspeople  and visitors alike. The opening reception is Saturday, June 6th at 6 to 9 pm. The show will run until June 14, 2015. There is no charge for admission.

Rich Smukler currently resides in Boca Raton, Florida. His works have been featured in numerous museums, galleries and private collections internationally. You can see more of his works at (Kick back and stay awhile)

A few thoughts for the New Year

Got da GigglesI’d like to thank all of you who have been following my Blog over the years, amazingly since 2011!  It has been a labor of love and heart-warming to know that some of my meanderings are shared with you. I would encourage you to please exchange your thoughts and comments. I love expressing my experiences about photography: the technical aspects, the practical solutions to common problems, the artistry of my endeavors, etc. And I enjoy hearing what thoughts or concerns any of you might have.

I know that some of you are serious photographers, designers, fine art professionals, lawyers, realtors, and on and on. Photography is an endless journey which explores one’s personal vision pitted against an ever changing and expanding technology. To know your camera, your computer, your printer, and all that goes with this technology only serves to challenge the way you see and feel about life.

May you enjoy a healthy and amazing 2015. I hope to hear from you!

Rich Smukler currently resides in Boca Raton, Florida. His works have been featured in numerous museums, galleries and private collections internationally. You can see more of his works at (Kick back and stay awhile)

If you’ll be in Alexandria, Louisiana, see Rich Smukler’s works at The Alexandria Museum of Art

Alexandria Museum of Art’s 27th Annual September Competition Exhibition

Date: September 5 – November 22, 2014
Location: The Alexandria Museum of Art, 933 Second Street, Alexandria, LA 71301Tea Time

Rich Smukler, from Boca Raton, Florida,  will exhibit his stunning black and white piece. “Tea Time”  which was captured in Rhyolite, Nevada, about 120 miles (190 km) northwest of Las Vegas near the eastern edge of Death Valley. The town started in 1905 is response to the discovery of gold in the nearby hills. It is reported that the population rose to near 5,000. Unfortunately, by 1911 the mine closed and the town soon died out. Smukler’s works have been featured in numerous museums, galleries and private collections internationally. This piece was recently exhibited at The von Liebig Art Center in Naples, Florida.

Any questions concerning the exhibition can be directed to Megan Valentine, museum curator and registrar. phone: 318-443-3458 or email at megan@the


The Virginia Academy of Fine Arts introduces Conical Dance by Rich Smukler

The 2014 Virginia Academy of Fine Arts National Juried Photography Exhibition will be celebrating its opening reception Friday, September 5, from 5-8PM, with an informal talk at 5:30PM by Jeffrey Allison, this year’s distinguished juror. Mr. Allison has taught photography for over 25 years throughout Virginia and served on the staff of Abingdon’s William King Museum.

Unveiled for the first time will be Conical Dance, by Rich Smukler, a haunting black and white piece that is both multi-levelled and textural.conical dance

The Academy of Fine Arts
600 Main Street
Lynchburg, VA 24504

Rich Smukler currently resides in Boca Raton, Florida. His works have been featured in numerous museums, galleries and private collections internationally. You can see more of his works at (Kick back and stay awhile)


La Rondine Gallery is situated in Ponte a Serraglio in the relaxing commune of Bagni di Lucca. Since the Renaissance, this area has attracted artists of all disciplines to take refuge and rest in its thermal valley and spectacular vistas. The gallery is opposite the Lima River and close to a popular bar IMG_9603and restaurants. Rich Smukler’s solo exhibition will take place from 5/29/2015 thru 6/13/2015 (specific times for the Opening Reception will be forthcoming). Rest assured that the wine will be free-flowing and delicious!

RCSFRI02 print_11x14Smukler has studied photography in Tuscany for seven summers at TPW (The Toscana Photographic Workshop) under such notable photographers as Sandro Santioli (known for his spectacluar Italian landscapes), David Allen Harvey (National Geographic and Magnum) and Arno Minkkinnen (Professor of Art at The University of Massachusetts). Having traveled extensively through Italy,  Smukler has grown to love the Italian way of life and its people.

“To have the opportunity to return to Tuscany and share my work in such a setting is truly a dream realized.”IMG_7027_2 print_11x14

Rich Smukler  currently resides in Boca Raton, Florida. His works have been featured in numerous museums, galleries and private collections internationally. You can see more of his works at (Kick back and stay awhile)

Where Does That Lush Ochre Pigment Come From?


Have you ever considered where the lush and vibrant colors and shades of ochre pigment come from? Situated in the Luberon, at the foot of the Monts de Vaucluse, the village of Roussillon provides the answer. Nestled in the heart of one of the biggest ochre deposits in the world, Roussillon is famous for its magnificent red cliffs and ochre quarries.

The red, yellow and brown shades of the earth form a striking contrast with the lush green pine-trees. The vivid blue of the Provençal sky and the exceptional quality of light make this a magical site. It is like an artist’s pallet, with the infinite combinations of colors varying from yellow to purple with all the shades of pink and red in-between.IMG_3440

The ochre façades of the houses are magnificent… shades vary subtly from light yellow to dark red, set off by the brightly painted shutters and doors. Numerous artists, naturally, have been seduced by Roussillon: Jean Cocteau, Carzou, Buffet, Ambrogiani... to name a few.

The images I’ve included in the current post print beautifully on canvas and archival-treated paper. But don’t pass up the opportunity to see the way these images pop out at you when printed on metal. They are magnificent and can be printed in any size and configuration that your spatial needs and creative desires call for.



Rich Smukler  currently resides in Boca Raton, Florida. His works have been featured in numerous museums, galleries and private collections internationally. You can see more of his works at (Kick back and stay awhile)

Connecticut Academy of Fine Arts honors Rich Smukler

ImageAs recently announced, for the third consecutive year Rich Smukler will be exhibiting at The Connecticut Academy of Fine Arts’ annual juried exhibition. The opening reception and award presentations will be Thursday,  June 26th from 6PM to 8PM.  Artists whose works are exhibited for three shows are bestowed with the honor of elected member.

“Given the quality of the art in the CAFA exhibitions, I am extremely honored.”



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The Farmington Museum of Art Introduces Rich Smukler’s work “Cocoon”

 The Farmington Museum at Gateway Park (Farmington,  New Mexico) will present its annual National Juried Exhibition May 10, 2014 with an opening reception and presentation of awards from 7:00 pm to 9:00 pm, Saturday evening May 17th. Prior to the reception, at 6:00 pm, Juror James Trigg will present a lecture. Mr. Trigg is a nationally acclaimed award-winning impressionist fine artist specializing in the magnificent vistas of the American Southwest.

Rich Smukler, from Boca Raton, Florida,  will exhibit Cocoon. This elegant abstract expressionistic piece both challenges and calms the soul. His works have been featured in numerous museums, galleries and private collections internationally.


Farmington Museum – 3041 E. Main Strreet – Farmington NM 87402 – 505-599-1174 –

See more of Rich Smukler’s work at

Bow Down

Bow Down

See Rich Smukler’s stunning piece “Bow Down” at The CAC (Contemporary Arts Center) in Las Vegas at their 25th Annual Juried Show. Bow Down is a dramatic 24″h x 20″w photo on aluminum taken of a proud and rusting ship found on the Miami River near downtown Miami, Florida. The show opens 4/3/2014 when award ceremonies will take place (6:00PM through 9:00PM) and runs through 4/25/2014. You can meet the artist at the Opening. The Center is located at 1217 S. Main Street in Las Vegas, Nevada. For inquiries, Joanne Russ is the gallery coordinator. email: phone: 702-496-0569

See Rich Smukler’s work in Montreal

See Rich Smukler's work in Montreal

The Global Art League is an organization dedicated to furthering the careers of emerging artists worldwide. The International Exhibition of Emerging Artists will be held in Montreal from July 20th through to August 17th 2013.

Montreal is one of the most beautiful and exciting cities in the world and we have teamed up with the Montreal Art Centre, one of the cities greatest art exhibition venues to host the event. Montreal is within driving distance to over 100 million people and one can fly to this enchanting city within a day’s flight time from all of Canada, the United States and Europe.

This month long exhibition is geared to attract a wide array of visitors, from art lovers to art galleries, as well as both local and International art collectors. Our many participating sponsors are working with us to help celebrate art at its best, from our participating artists from all corners of the world.

There are special sessions, workshops, lectures and art presentations during the exhibitions days. The International Exhibition of Emerging Artists is a one of a kind event, bringing artists and art lovers together for an engaging and memorable experience.

The Marin Museum of Contemporary Art introduces Rich Smukler’s SWAMP’S EDGE

Swamp’s Edge will be introduced at MARINMOCA / The Marin Museum of Contemporary Art

as part of the 2013 Summer National Juried Exhibition located at 500 Palm Drive, Novato, California.

Show opens: Saturday, June 01, 11am-4pm
Opening Reception: Saturday, June 01, 5-7pm
Show closes: Sunday, July 14 (4pm)
This image was taken in Delray Beach, Florida.




Welcome to Spring!

Against the Traffic: Rhyolite, Nevada – The Ghost town

It’s been a long hard week in Death Valley and it is time to pack it in. I only introduced you to some of the many wonders that the area has to offer. It is really something that needs to be experienced personally and in your own way. On a great tip, I headed towards Rhyolite, Nevada on my way back to the airport in Las Vegas. I have an affection for architectural decay and this old town does not disappoint.

Located in the Bullfrog Hills in Nye County, Rhyolite is about 120 miles (190 km) northwest of Las Vegas near the eastern edge of Death Valley. The town started in 1905 is response to the discovery of gold in the nearby hills. It is reported that the population rose to near 5,000. Unfortunately, by 1911 the mine closed and the town soon died out.

With a few more shots in my pocket, it is time to head home. Thanks for joining me

Happy Shooting!


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Against the Traffic: Death Valley – Badwater Basin

It’s 4:30am.  I am completely alone in Badwater Basin, the lowest place in the western hemisphere. It seems like the dark side of the moon. Still bleary eyed, I slowly, contemplatively set up my tripod. A steady and warm breeze waltzes across the salt flats. I have never been to nor experienced anything remotely like this place. I quietly await the dawn. I notice someone apparently crawling from a sleeping bag several hundred yards off into the basin. I now notice their tripod already set and ready. I muse, a kindred spirit.

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In the parking area I noticed a painted stripe on the rock cliff indicating the sea level mark, 282 ft above me. Ironically, Mt. Whitney is the highest point in the contiguous 48 states, while Badwater is the lowest and the eighth-lowest spot in the world. Along with Salton Sea, south of Palm Springs (-227 feet), it makes the United States the only country to have two locations among the world’s lowest places. This gives you a rough idea how explosive this area was millions of years ago.

Walking out onto the salt flat you hear the crunch under your feet. Repeated freeze–thaw and evaporation cycles gradually push the thin salt crust into hexagonal honeycomb shapes. The accumulated salts of the surrounding basin make it undrinkable, thus giving it the name.

The sun starts to poke up. It goes fast and catches a sparkle from the zillions of salt crystals that surround you. My impression is that my camera’s sensor is able to receive and articulate this action better than the human eye. A friend of mine once referred to the area as “Badlight Basin”. I’m shooting with a Canon EOS 5D Mark II and select my 24-105mm lens.

Pay close attention to your exposure. As in shooting snowscapes, your camera can be fooled. There are several points of view as to how to handle this issue. I recommend Jim Zuckerman’s discussion in his book “Techniques of Natural Light Photography” if you are not comfortable with the subject.

If you go to Death Valley, DO NOT MISS THIS!!!

Happy Shooting!

Against the Traffic: Death Valley – Dante’s Peak and Zabriske Point

It’s 4:30 AM and a few hearty photographers are starting to set up their tripods and await the dawn. It is quiet, very quiet. It is windy and cold. I struggle to keep the tripod steady. I’m already dreaming of my first cup of hot coffee. I attach my headlamp to see the way. I’m fearful that my lens or camera has seized up. Without my gloves this would be a fool’s errand. I panic, return to my car and reset. I do not want to miss the sunrise. It comes and goes so fast. Maybe 30 minutes tops, then it is over. This can be said for both Dante’s View and Zabriske Point, though Dante’s Point was much colder. I shoot them on consecutive days, but will discuss them each in today’s Post. They are both magnificent and should not be missed.

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Dante’s Peak, Death Valley is a viewpoint terrace at 1,669 m (5,475 feet) height, on the north side of Coffin Peak, along the crest of the Black Mountains, overlooking Death Valley. Dante’s View is about 25 km (15 miles) south of Furnace Creek in Death Valley National Park. This spectacular view is named from Dante Alighieri, who wrote the Divina Commedia (Divine Comedy), in which there are described the nine circles of Hell, the seven terraces of Purgatory and the nine spheres of Paradise. For those of you who might be Star Wars junkies, it is a filming location in Star Wars Episode IV: A New Hope.

Zabriskie Point is a part of Amargosa Range located in eastern Death Valley Valley and noted for its erosional landscape. It is composed of sediments from  which dried up 5 million years ago, long before Death Valley came into existence. This location was used to represent the surface of Mars in the film Robinson Crusoe on Mars.

The photographers line up on their selected vantage points and wait. An occasional test shot to see where the light is. Then it sneaks up slowly and BANG!!!! The cameras jump to life, like a bunch of fishermen waiting for a strike. And here it is. Have everything ready to go. No room for mistakes. The slowly awakening sun kisses the landscape, rises, and the majesty soon disappears, hidden for another day.

That’s it! Off to find some coffee and breakfast. I have a couple of afternoon locations in mind, so stick around.

Happy Shooting!

Rich Smukler

Against the Traffic: Stovepipe Wells and Mesquite Flat Dunes

For the rest of the week we will be bunking at The Hotel at Stovepipe Wells, Death Valley. This is not The Four Seasons Hotel, make no mistake! In fact, the movie “Mad Max” comes to mind. The rooms are clean, large and extremely basic.  Wifi is spotty at best. Telephones are non-existent in the rooms and there is essentially no cell-phone coverage (calls must be made from the spare number of phone booths on site). There is a restaurant and bar. I will be polite about the food in the restaurant. The burgers and beer at the bar are just fine, especially if you want to shoot a game of 8-ball. Across the road is a general store and gas station where you can stock up on water, snacks, food and fuel. If you are truly looking for top-notch accommodations, consider The Furnace Creek Inn and Ranch Resort around 26 miles down the road. You will pay substantially for this luxury, however.

A brief thought on the issue of no phone or computer service: It can make you a little nervous at first, especially if you are addicted to these electronic toys, as I am. But after you get over the fear that the world will somehow come to an end if you are not tuned in, the world gets more serene and beautiful. You can see better. Your photography will soar, if you allow it to do so.Image

Just down the road is Mesquite Flat Dunes. These dunes are the best-known and easiest to visit in the national park. They are located in central Death Valley and accessed from Highway 190 or from the unpaved Sand Dunes Road. Although the highest dune rises only about 100 feet (compared to 680 feet at Eureka), the dunes actually cover a vast area and provide quite a different subject matter. Many first time visitors to Death Valley are surprised to find that it not covered with a sea of sand. Less than one percent of the desert is covered with dunes. It just so happens that the first two locations of our tour of Death Valley are duned areas. The benefit of Mesquite Flat over Eureka is its proximity to your room back at Stovepipe Wells. It allows you to make return visits to shoot based on your decisions over lighting, cloud-layer, etc. The remote location of Eureka Dunes pretty much kills off this flexibility, unless you are willing to set up camp. The suggestions I made about dune-shooting at Eureka in my prior post applies similarly to Mesquite.

Happy Shooting

View RICH SMUKLER’S work at The 101st Exhibition of the Connecticut Academy of Fine Arts

See Rich Smukler’s work “Jessie” at The Connecticut Academy of Fine Arts 101st Annual Exhibition (CAFA).

“Jessie” was also exhibited at the (SDAI)  San Diego Art Institute / (MOLA) Museum of the Living Artist (San Diego, California 2009) and is currently part of  The American Juried Art Salon: Fine Arts Show 2011 (on-line).  It is also published in Photographer’s Forum Magazine / Best of Photography 2011 (Serbin Communications), and was exhibited at The Elliott Museum (Stuart, Florida 2012) and The Saco Museum Mill-ennial 2012 (Saco, Maine).

The CAFA OPENING RECEPTION AND AWARD CEREMONY  is scheduled for the evening of Thursday, JUNE 7, 2012 from 6 to 8 PM at the Mystic Arts Center located at 9 Water Street, Mystic, Ct., 06355. Phone: 860-267-6023 for further information.

Rich Smukler’s works can also be seen at


See Rich Smukler’s photograph “Cross”  at The Elmhurst Art  Museum’s National Art Premiere 2012 to be held from Friday, February 21, 2012 thru March 28, 2012. “Cross” is an image taken in an abandoned marble quarry in Apuan Alps, near Pietrasanta in northwestern Tuscany. This area is known for the quality of marble used by Michelangelo. “Cross” had earned distinction at San Diego Art Institute’s (Museum of the Living Artist) 50th International Award Exhibition. It will also be displayed at The Elliott Museum in Stuart, Florida from February 3, 2012 thru March 2, 2012.

The Elmhurst Art Museum is located at 150 Cottage Hill, Ave., Elmhurst, IL 60126.



Rich Smukler’s works can also be seen at




Over the years I have gone to hundreds of museums and galleries, studied the works of the masters, read the analyses and opinions of critics, seen and opined on the works of my fellow students and mentors. All the time, I am searching for a thread, a common denominator. What makes a piece of art wonderful, memorable or just plain awful? And within that question, I try to evaluate the body of work of that particular artist and ask whether or not this is the work of a fine artist?



George DeWolfe, in one of his master classes, fascinated me with his revealing analysis of paintings of the masters, such as Rembrandt, Degas, Cezannes, Pollack and others, as they related to development of the fine black and white photo. He took images of these paintings and reduced them to grayscale to better view the breadth of tonality in each of these pieces of art, even before photography was on the map. This was done to demonstrate some of the amazing qualities of these painters, all painting with color, but somehow fully understanding the quality of composition in its underlying tonality. They knew how to see well. Dewolfe went on to say that,


  “The masterful articulation of the grayscale in these paintings is not only the key to good color, but also the essential key to creating presence in the work – the foundational element of a masterpiece.”



This is as good a place as any to start our thought process.


I confess that often I’ll go to a museum and wander through the exhibits and unfortunately, not get it. I mean that I am not moved, wouldn’t want to own it, in fact, I am angry that I am wasting my time! And yet, these exhibitions, installations, or pieces of art are often heralded by the museum, or someone of credibility, as being significant and noteworthy. I shrug my shoulders.


What does impress me however, is when an artist has over the years developed a unique and consistent body of work; pieces that would be recognizable as being that artists’ artwork years after being produced, yet, in some way, different from the earlier work. I am sure we are all familiar with some exceedingly successful artists who have a signature style that is forever recognized as being special and unique. Some of these artists, unfortunately, get caught up in their success and are fearful of leaving an established comfort zone. Others display the guts and artistry to move forward with newer and more challenging work. I say SHAME on the former, and HATS OFF to the latter.



I am willing to allow the definition of a fine artist to remain somewhat undefined for the moment. I am steadfast, however, in my belief that a fine artist will create a unique and recognizable body of work that continues to evolve as the artist explores and builds on the past. We owe a debt of gratitude to those of you that adhere to these convictions. What are your thoughts?


You can see works of Rich Smukler at






Against the Traffic: The Road From SAN QUIRICO D’ORCIA To PIENZA

Both San Quirico and Pienza are magical, ancient Tuscan towns that merit comment and will be the subject of future articles. Today, however, we will visit the extraordinarily exciting road that connects these two towns and strums the true sounds of Tuscany. For years I have driven the 6.25 miles of this amazing highway and never tire of it.

SP146 / Strada Provinciale di Chianciano ribbons through the Tuscan countryside and is the stuff that Lamborghini and Ferrari must have had in mind. Go as the sun rises or as the sun is stretching its long shadows from the west. Any time of year will reveal the many facets of this magnificent countryside. There is one lane in each direction with multiple winding curves that provide a bonanza of sight lines. At a decent speed the entire ride is about 15 minutes. Downshifting into one of the many hairpins is just plain awesome!

MAJOR RULE: DON’T FORGET YOUR TRIPOD! (Say that at least three times). I know it is a pain schlepping it across the world, but you won’t regret it. Your images will be infinitely better. Also, be prepared for some atmospheric challenges. This part of Tuscany is rural and agricultural. You may  find some dust kicked up from the tractors and such. That can be also be great news for your shots, as the combination of light and dust can produce wonderful results. Be ready to clean your lenses regularly while out in the field. If you are carrying a backup camera body, I suggest you select your two favorite lenses, one for each body, and refrain from removing your lenses from their bodies while the dust is swirling. Or, you can always retreat to the car.

For a little extra delight, as you approach Pienza, look to your left for a sign to Santa Anna Comprena. This back road will take you to the 15th Century Monastery where Director Anthony Minghella shot many scenes from his movie The English Patient starring Juliette Binoche and Ralph Fienes. The setting is both serene and haunting. It has been turned into a B&B and you will be able to shoot inside the church, both memorable and challenging.

Happy Shooting!

You can see more of my images from Tuscany at


Having returned from a photography trip to Kenya and Tanzania, I was brimming over with pride at the many exotic images I captured: Kilimanjaro, the Maasai tribesmen, the Serengeti and all that Africa has to offer. I was living my dream. That’s when a cold towel slapped me across my face! At our monthly photo-group meeting I was itchy to show some of this new work. Meanwhile, one of our members was displaying some truly great images that he had just taken in his backyard! An interesting point-counterpoint crossed my mind.

What is the concept of TRAVEL PHOTOGRAPHY all about? Travel for me isn’t as much fun as it used to be. I’ve shot world-wide and have seen many of the wonders the world provides. Air travel has presented new challenges. My old bones aren’t what they used to be. Yet, there is still a rush that I get when plying my craft in new and unique locations. I see things with a fresher eye. My hometown is Boca Raton, Florida, replete with many exotic sights. However, I wouldn’t consider shooting in my hometown as TRAVEL PHOTOGRAPHY. Ironically, someone who has traveled from Africa to Florida to shoot probably WOULD. So, if it isn’t the travel that lures me, and if locations can be treated as fungible widgets, then perhaps it is something else? Perhaps it is the mindset or dedication to the craft when you are on a new location (wherever that might be)? Perhaps it is being totally focused and immersed in all things photographic when you are situated in a location that is conducive to your full attention?

Some years ago I was part of a workshop sponsored by TPW (Toscana Photographic Workshop) and led by Arno Minkkinen. Arno is the consummate instructor. He tirelessly challenges his students to be as creative and innovative as possible. One of his exercises, which caught my imagination, was a road trip that we took to Lake Bosena, situated in the Lazio region and close to the boundaries with Umbria and Tuscany. There were only about eight of us and we decided to take three cars. And though we had an end destination in mind, it was decided by Arno to stop every fifteen minutes and shoot for about ten minutes per location. We stopped once on the side of a barren field, a commercial site and a location in some hillside area. None of these locations would have typically caught my eye or called out to me to stop and shoot. Yet, the images gathered by our group from these locations were exceptionally interesting and memorable. Lesson learned: Perhaps the setting isn’t as important as the photographer and his will to see well.                                  

Another unintentioned lesson was learned in Arno’s class. One member of our group was a young woman who was seriously injured and permanently confined to a wheel chair. Only through her sister’s love, was she able to travel thousands of miles from the United States in order to fulfill her dream of shooting in Tuscany. An amazing feat! She shared her portfolio early in the workshop with the rest of us. The main body of her work was comprised of a series of images taken from her basement apartment. Being wheel-chair bound as she was, she had a single view from a window which looked out and up on a street in New York City. The view was limited, yet her pictures were fascinating and multidimensional. She also had invited people to come to her cramped quarters and photographed them against a single wall where she produced a series of intensely moving portraits. The lighting and composition were astounding. I will never forget them or the lesson she brought to us.

I love the whole concept of TRAVEL PHOTOGRAPHY and am proud of many of the images captured over the years. Yet, I have grown to believe that it is the mindset that comes with travel that is most important. I ring this thought up each time I dust off my camera for another shoot.

Happy Shooting!

You can see more of my images on my website at


NOT REALLY! I’ve been a satisfied Canon user for years pre-dating digital: from the AE-1 35mm SLR Film Camera, 20D, EOS T2i, 40D and now the D5 Mark II. I have to say that I am thrilled with the D5 and am amazed at its power and versatility.

I know that some of us out there are Nikon enthusiasts and others are Canon. It just so-happened that when I was converting to digital some years ago, most of my instructors were into Canon. I started down that path and saw no reason to change, especially due to the lens interchangeability feature.

Some months ago I was shooting out in Santa Monica, California. Typically, I carry the camera with the strap around my neck (either over one shoulder with my camera to the side, or with the camera hanging in front of me). I am recovering from recent neck surgery and after several hours the weight of the camera begins to take its toll. I sought advice from a friendly neighborhood camera shop.

They came up with a two-part solution. The first was a Tamrac Neoprene Shock Absorber Strap. It a tough stretchy neoprene rubber strap that holds most digital SLRs and absorbs the weight of the camera for hours, or so they claim. It acts like a bungee cord and really does the job. The second solution was a carry bag which is big enough to hold the camera and can be worn with a built-in belt around your waist or a built-in strap that you can carry over your shoulder. I purchased a second Tamrac strap to replace the strap that came with the case. I find that the camera, when in the case, isn’t nearly as accessible for quick shooting in comparison to the camera being around the shoulder.I chose a Canon carry case. It has a front-ended pouch which can hold a couple batteries and memory cards. There is another interior compartment for whatever else you miight choose. I know that there are several brands of these cases and recommend you select the best for your particular needs.

This system works for me and I hope it is of some value to you as well. By the way, I own no stock or have any financial interest whatsoever in any of these products.

Happy Shooting!

You can see more of my images at my website at

View Rich Smukler’s Works at Boca Raton Museum of Art School

See Rich Smukler’s award winning photograph “This Way” along with “Squared” currently on display at The Boca Raton Museum of Art School (Boca Raton, Florida), running through January 11, 2012. These pieces were previously exhibited at The Robert Rauschenberg Exhibition at The Museum of The Gulf Coast in Port Arthur, Texas (home of Rauschenberg’s birth).

Raschenberg is one of America’s most prominent artists (October 22, 1925 – May 12, 2008), known for his works as The Abstract Expressionist Movement morphed towards Pop Art. Not only a painter, he worked also in photography and printmaking.

You can see more of Rich Smukler’s works at


Getting ready for your morning shoot in Italy is similar to many of the “outback” locations you are likely to stumble upon. Get ready the night before and expect no backup once you are on the road. You are highly unlikely to find a camera store that has anything that you might need. Fugedaboudit! Have a couple backup batteries, plenty of memory cards, your backup camera body and any lens you think you might be using. I love to use my monopod as a walking cane, but your tripod is indispensable! Remember to bring your plug adapter when you travel to Italy. European electricity, as in the rest of Europe, comes out of the wall at 220 Volts and alternating at 50 cycles, whereas in the United States, 110 volts at 60 cycles per second. Most hotels and B&Bs will have adapters, but DON’T TAKE A CHANCE. Charge your batteries the night before, erase and format your memory cards so you don’t fumble when you come upon your first good shot of the morning. Clean your camera and lenses from your prior day’s shoot and double check that your settings are exactly where you think you want them to be.

A couple of other thoughts before we start our climb: good walking shoes or boots, have a nice breakfast (food and bathrooms might be a bit tricky to find, so throw some snacks, maps, water and toilet paper in your bag, just to name a few of the more obvious items). I know you are getting impatient, but run through your personal workflow (memory card management, preferred settings, etc.), and NOW (pshew!) let’s get going!!

Traveling down from Bagno Vignoni, you are only a few minutes from your ascent to the twin towns of Rocca d’Orcia and Castiglione d’Orcia. Once you are there, you might as well take them both in. They are remarkable!

Rocca D’Orcia  stands guard over the Via Francigena, the pilgrim’s road leading from France to Rome.  From its almost impregnable position, the local rulers had a safe spot from which to control the territory. This area was first documented back in 853 AC. and has a fascinating and complex historical significance. Your challenge as a photographer might be to capture this journey into the past.

To provide a thumbnail historical sketch: In the mid-12th century, Tentennano (as it was known) was in the possession of the Tignosi feudal family, who in 1207 granted a new statute called “Charta libertatis” to the local population. It set forth numerous rights, an act of fundamental importance to Italian medieval history both for its content and style. The Fortress passes through several families over the years and was last used for military purposes in the middle of the 16th century which saw the city-state of Siena annexed to Florence. The defensive system of Rocca D’Orcia with its Rocca of Tentennano consists of a series of walled enclosures designed to benefit from the ruggedness of the environment. From the entrance gate you can see the ruins of another gate which opens onto a second walled circuit. The architecture of the tower provides interesting photographic challenges. Just before entering the tower, there are arch openings and a limestone wall face of which the whole fortress is built. A majestic view of the Orcia Valley, the Amiata Mountains and the surrounding countryside can be seen.

Don’t miss visiting the Village of Rocca D’Orcia which has maintained its original medieval architecture. You’ll find a charming square with a central cistern, religious buildings and a small, yet interesting country culture museum. The village is quiet and haunting. Out of dumb luck I saw the same gentleman in this tiny town square each of the two times I visited – five years apart. Not too much seems to be going on. This is a village where people live their lives quietly. There are very few tourists, except those who may wander down from the castle. I noticed a sign for a restaurant, but unfortunately it was not open on each of my visits to the town. Don’t expect to find a McDonalds!

The defense systems of the fortress were closely integrated with the Village of Rocca d’Orcia that lies below.  The walls of the town contained the entrance courtyard of the fortress, and an ancient door is still visible, though only partially, in the village today. This charming medieval village is just a few minutes walk away from its neighbor Castiglione D’Orcia. It seems larger than Rocca D’Orcia and more vibrant in the sense that people are more visible, some shops were available, and overall, a greater vibe than what you find of its’ more quiet neighbor. The architecture is similar and replete with magnificent photo opportunities, both of the valleys below and the ancient-walled architecture. To visit both Rocca d’Orcia and the Rocca di Tentennano, it is best to park in the area that lies at the foot of the steep slope leading up to the Fortress.  A picturesque walk along the cypress-lined hill leads to the main entrance. From there, you can stroll into the village.

Happy Shooting!

You can see some of my Tuscan images on my website at

Against the Traffic: BAGNO VIGNONI, ITALY

Every photographer has their own rhythm, their own beat. It’s the way you prepare for your shoot, the ritual you run through readying your mind, your equipment, everything you do to assist in a successful outing.

 I for one enjoy the quiet of my mind and draw within when I get out there with my camera. Some, I know, prefer the companionship of comrades as opposed to the solitude that I so much enjoy.

 When traveling to new countries or locations for the first time, it is only natural to seek out the most traveled or noteworthy sites. As an example, your first time to Italy will most likely draw you to Rome, Venice or Florence. They are wonderful and have infinite photographic possibilities. But this series of articles will explore some of the lesser known locations that I found along the way. They are remarkable photographic opportunities.

 BAGNO VIGNONI is an ancient village in the heart of Tuscany situated in the Val d’Orcia National Park. I was first introduced to it years ago when studying at TPW (Toscana Photographic Workshop) as it had become a favorite evening hangout for many of the students.

 Thanks to the Via Francigena (which was the main route followed by pilgrims in antiquity who went to Rome), … thermal waters were found and have been used since Roman times. At the heart of the village is the “Square of sources“, namely a rectangular tank, of 16th-century origin, which contains the original source of water that comes from the underground aquifer of volcanic origins. Since the Etruscans and Romans – as evidenced by the numerous archaeological finds – the spa of Bagno Vignoni was attended by eminent personalities such as Pope Pius II, Santa Caterina da Siena, Lorenzo the Magnificent and many other artists who had elected the village as main holiday resort. … Bagno Vignoni, … despite numerous incidents of war, devastation and fires that involved the Val d’Orcia in the Middle Ages, remains essentially unchanged. … From Bagno Vignoni, you can easily reach the historical centers of nearby Pienza and Montalcino, and the general Val d’Orcia area, including the Park of Mount Amiata. (Wikepedia)

 The village provides exceptional photographic challenges. By day, this sleepy village hosts wonderful hillside and mountain views of the valley below. You are also treated to a haunting scene of Rocca d’Orcia (subject of my next post). The thermal waters course through the hills and carve fascinating archeological dig-like opportunities. A small park with children, the occasional hardy biker, folks staying at the nearby hotels and spas, dipping their feet in the waters, are all click-worthy. But at night, it all begins to happen! The holiday-like lights throughout the village take over from the long Tuscan setting of the sun. The Square of Sources captures the reflections from the surrounding shops and restaurants. Its’ glow is magical and tempts your skills for night shooting.

 Hotels, spas and B&B’s sprinkle the area. With a little luck, you can find one just outside of town, down by the rolling Tuscan Hills. I can provide some recommendations, if you are interested. The restaurants are of typical Tuscan delight and my mouth is drooling at the very thought of the incredible red wines made in these very hills.

Happy shooting!

How to reach Bagno Vignoni: From Siena, direction SS2 Isola d’ Arbia, reach San Quirico d’ Orcia, remain on the Cassia Road (SS2) direction Rome, only 5 Kms.

 You can see some of my shots from Tuscany at


Sometimes my mind sees a potential image better than it really is. I am afraid that my previsualization is occasionally on steroids and the end result can be a disappointing capture whose time has long past.

Example: Recently on a trip to Ravello, Italy, an absolute jewel of a town on the Amalfi Coast, I was walking down a picturesque road and came upon a fabulous antiquated church. It was bathed in ivy and had a wonderful mountainside as a backdrop. Another sucker shot I thought. This was too good to be true. And of course, it was. The composition and texture were magnificent! One problem. I forgot about the light! Feh! I saw it in my mind, but forgot to transpose it in reality. The result, a dull, flat and uninteresting image that was beyond post-processing first aid. Dead on Arrival!

 Sandro  Santioli is thought by many to be the quintessential Tuscan landscape photographer. Some years ago I had the pleasure of participating in one of his workshops, an experience I will never forget and be forever grateful. Our group started the day before sunrise, tripods in hand and cappuccino consumed, fearlessly planted in the midst of a beautiful field outside of Pienza. We waited for the sun to appear. And it did. As it moved through the sky, clouds moved in and out of the eye of the lens. Shadows changed, images appeared and disappeared and reconfigured upon the rich, lush Tuscan countryside. And for hours I barely moved my tripod, much like a patient fisherman waiting for the catch.

 By Noon the sun was too high. We retreated to one of Tuscany’s many ancient mountaintop towns for lunch and more shooting. Architectural shots can be pretty successful when the sun is high as the buildings block the direct rays and can create some wonderfully sharp and interesting images.

 Not to be daunted, by afternoon we returned to the fields to yet again track the sun, this time as it moved to the west. If you have ever been to Tuscany you appreciate the long late and early evening light, so rich, colorful and warm. Same location, different results, stunning in many ways.

 That evening, the sun now gone, we changed locations to inside Sienna, another wonderful feast for the eyes and lens. This time we concentrated on night street shooting with the added benefit of a little atmospheric eye-candy as a light rain provided a memorable challenge with eye-popping results.

 I learned that day about patience and the light. I hope to remember that lesson the next time I come upon a sucker shot.

Happy Shooting!

You can see some of my Tuscan images on my website at


An unlikely premise, I know. However, after many years as a photographer, I am beginning to sense a change in the way I approach photography and also the way I see life.

As a young man, goofing around with my Brownie Hawkeye camera, I would only see what the camera lens had to offer when I was actually in the process of looking into the camera and trying to take a picture. Many years and thousands of images later have led me to a totally different approach to my craft.

Wandering through the swamps, or over mountains or through the cities looking for interesting shots to take, has re-wired the way I look at things, searching for what I consider a well-seen image. I find myself driving along in my car saying to myself, “what a great shot that’d make,” or “look at the wonderful glow rim-lighting that tree!” I’d often think to myself that I wish I had my camera with me. Often I do, but sometimes I don’t.

There is still nothing that quite beats the hunt of the shoot, that is, going out and physically taking the shot and transferring it into an electronic or print image. Yet, the sadness or upset of not having my camera when a perfect moment appears is not quite as painful as it used to be. Now, I AM THE CAMERA and exhilarate in the experience. I find myself looking at most everything as though I’d be framing it in an artistic composition, making split-second, automatic decisions as to whether the light is right, depth of field requirements, etc., all the elements on my checklist as if I actually had my camera in hand. It is a somewhat soothing effect. I wonder if you feel that as well?

Happy Shooting!

you can see some of my images on my website at Continue reading